A Quote by Bonobo
When I made my first record, I was very naive, and I didn't know much about production, and I had a very basic amount of equipment, and I was just digging through vinyl for samples in a very old-fashioned way. It was very loop-based and very cut and paste, and that's the way I started out.
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I was 17 years old when I built the first store... A very simple, basic store with a basic counter - not very much equipment, all purchased second-hand. And the menu was very simple.
Some of our early work was two minutes twenty when it actually came out on vinyl, very, very, very short. Sometimes if you made a three-minute record they would make you do an edited version for radio, particularly in America.
'Immortals' was very much a martial arts based training program - a lot of body weight stuff, very little in the way of actually lifting heavy weights, and a very, very low calorie diet.
It is very, very, very difficult for an American actor who wants a film career to be open about his sexuality. And even more difficult for a woman if she's lesbian. It`s very distressing to me that that should be the case. The film industry is very old fashioned in California.
I was using tape loops for dancers and dance production. I had very funky primitive equipment, in fact technology wasn't very good no matter how much money you had.
I don't view the fans in the way that most performers do. As a mass of people who have paid money, I know what they want. It's a very, very, very, very, very low common denominator.
I'm very curious about David Bowie's new record [2016]. I'm very, very... I'm just incredibly curious, I want to see what's happening with that. I don't really know who else is putting out records, we've had our heads buried working on ours. I haven't really been paying much attention lately.
I did not grow up watching much TV and film. I had a very, very, very, very, very, very church family, and a lot of, like, secular stuff was not around my house.
The way America works, and the way L.A. works, is a very small percentage of people get what they want out of life, and a much greater percentage try very very hard and they don't. That's just the way it is.
The African-American tradition, in the main, is very, very church-based, very, very Christian. It accepts, you know, certain narratives about the world. I didn't really have that present in my house.
In the very beginning, I kind of had this hip-hop, cut-and-paste approach to music. The first record, especially, was from looking at people like DJ Shadow and A Tribe Called Quest, and I think a phase that a lot of people go through when they start sampling is to go out and stamp on twigs and try to record that kind of stuff.
I find this proposed amendment very, very, very, very shocking. And immoral. And, you know, if civil disobedience is the way to go about change, then I think a lot of people will be going to San Francisco.
I work with Sally and I can see Sally doing that. She is very aggressive. Very fun loving and charming... and pushy in a very competitive way and a very healthy way and a very good actress.
And it's sort of an old-fashioned ER, in that it's very much about the medicine, and how these people cope. There's very little about the personal lives of the characters.
I think that is one of the first things that I got clear in my mind when I began to play around with fiction, that I had to find a language and it was not in existance at the time. You have put it very well - it wasn't to be taken for granted. You had to go on and search until you found a way through the conversation of English and Igbo. The two languages stuck into each other and tried to find a way to express through one, the medium of the thoughts. That's a very exciting thing to do, a very difficult thing to do.
When I first started writing in the beginning, it was very much surrounding the idea of escape and of fantasy, then when I got a little bit older it very much became a way of looking inward.
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