A Quote by Booger McFarland

Offense is about rhythm and timing, and you're not going to always have that every game. — © Booger McFarland
Offense is about rhythm and timing, and you're not going to always have that every game.
Timing is so important! If you are going to be successful in dance, you must be able to respond to rhythm and timing. It's the same in the Spirit. People who don't understand God's timing can become spiritually spastic, trying to make the right things happen at the wrong time. They don't get His rhythm - and everyone can tell they are out of step. They birth things prematurely, threatening the very lives of their God-given dreams.
Pace, rhythm and timing. Pace, rhythm and timing is what it's about. The content's got to be great, but then it's got to be delivered. It's a tricky thing to do, and it takes a lot of work.
It's good to be able to run and have a balanced offense. They've got to be worried about both things. They can't just focus on the run game or the passing game and have us locked down that way. So when you have balance, good things are going to happen on offense.
Whenever you talk about a Mike Shanahan offense, you're always going to be talking about his offense.
Even as a coach, sometimes you forget the little intricacies of the offense, the details of the routes, the timing of the footwork, and the timing of the offensive tackles with the different sets that they have.
I'm just worried about winning baseball. I'm only worried about what I can do to help the team win. It's about improving in every facet of the game. I think that's everyone's goals. Whatever we can do to help the team win is what we'll do. I think Andy has done a great job of coming in and helping our offense. AD is getting those pitchers ready. Coach Mainieri is going to coach up some wins this year. We are very excited and working on every facet of the game.
It's football. The game hasn't changed. There's not tons of new concepts every year that go in. Offense is offense; it's our job to move the ball, to score points, and keep our defense off the field.
It's about timing and rhythm. But who could be better than Chaplin or Keaton?
My reads, operation with the offense, timing with the receivers, routes, sitting in the pocket, trusting my line - everything is always a work in progress.
Music has always been important to me. Rhythm, in particular, features in most of the things I do. I stumbled recently upon an old notebook in which I'd written, 'Touch, timing and timbre... keys to the heart.' That just about says it all.
You've got the same rhythm every day just to keep you going. So once that rhythm is broken, it's kind of hard to get back with it when you got a lot of things going on.
The most important rule is to play great defense, not great offense. Everyday I assume every position I have is wrong. I know where my stop risk points are going to be. I do that so I can define my maximum drawdown. Hopefully, I spend the rest of the day enjoying positions that are going in my direction. If they are going against me, then I have a game plan for getting out.
Football has always been a contact sport, and it's always going to be a violent sport, and there are going to be repercussions from that. But every player that ever played this game and will play this game, they're signing up for it.
It took me a good eight to ten years to really formulate what I was doing onstage and start to get really personal with comedy. I always really had timing naturally, it was just about trying to figure out how that timing was going to work onstage.
Think about the deflections. The offense can't score every play. They're just trying to get a good shot. If I can deflect a pass, even if it doesn't cause a turnover, it will throw their timing off half-a-second. That half-a-second might mess up their shot.
Well, I think writing is basically about time and rhythm. Like with jazz. You have your basic melody and then you just riff off of it. And the riffs are about timing.
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