A Quote by Booger McFarland
You watch guys talk about football, and you think that maybe it's really easy, and it's really not. Yeah, we've got the expertise because we played, but how you put that into a 30-, 45-second take and educate and entertain someone that's watching?
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I try to do what I call the three E's - educate, entertain, and enlighten. If you don't entertain, no one will show up. But you also have to educate, because people want to discover specific things about a world unlike their own - whether it's how hard it is to go to the moon or how scary it is to be on Omaha Beach.
Music is all about seduction, so it's an ongoing flirtation, but watching anyone do what they are talented at is totally intoxicating. Take even the ugliest guy and have them do something they are really passionate about - they are instantly attractive. Unfortunately watching someone write is a little lackluster. Maybe if they had a really sexy keyboard face.
I think any information about any type of art form, it's always the right time. But since the last one, I could see there were many things about the culture of DJing that we don't really talk about. We don't really look at how the music is made, how it's conceptualized, how it's put together. We talk about the equipment and the software, but we don't talk about the reasons why we put the music together in the first place.
It's easy to sit there in the dugout when the game's going on and talk, chitchat about this and that. But I think paying attention, watching the pitcher, watching the game develop, putting yourself in situations you're not even in yet, anticipating the game, stuff like that, I think that really helps you take that extra step.
I really enjoy what I'm doing, I really enjoy my weekends watching football. I watch the kids play football and the Saturday before last I was at four games. Then I ended up watching La Liga on telly. On the Sunday I'm the same and I really enjoy it.
Sometimes when I talk, I sound like a feminist because I get really angry when I hear certain things. For instance, a lot of families don't really educate their girls much while they educate their sons to the full extent. I think that's not fair.
I'm a football guy at heart; maybe I should have played football for a living instead, because I play a lot of football videogames, I'm really into them.
I'm a football guy at heart; maybe I should have played football for a living instead, because I play a lot of football videogames; I'm really into them.
The way I wrote it is a nice and enjoyable way to write stories, to pretend to say something when you're really saying something else. "Hey guys, come, I'll take you a football match." They all come - and you suddenly take them to watch theater play on the stage instead. In Istanbul Istanbul, I pretend to talk about torture and politics, but I don't actually. Instead I talk about hope and hopelessness, darkness and light, good and evil, love and separation.
When you watch the way some of the commentators talk about this, it makes it seem as if people are crossing the border every second. How much money have we spent on the border? Why? And who's really exploiting whom?" And then he gets quiet. But I think just airing these out and having a face-to-face conversation about it helps both of us internalize what the conversation is really about. I don't think we have that in the public sphere.
People think catching a football one-handed is a technique, but it's more a reaction. Because you really don't think about it when you're doing it. You just do it. I couldn't sit there and try to teach someone how to catch a one-handed football.
I'm really going off of watching John Waters speak one time and I remember he just kind of talked and it was totally interesting. I wanted to hear about his life and how he got started and when did he think he made it, stupid stuff like that. And what his relationship with the mainstream is because he's so far out there, but then he became part of the mainstream in this weird way. He was really funny, though. Yeah, I have to work on my jokes.
I can talk endlessly about characters, or why someone did this or that, and what that dynamic and interaction is. I really love it, and I think that actors really respond positively to the fact that I like to talk about that stuff, because I'm not sure that all directors do.
Oh, I was a real Nirvana kid. I got into jazz because I listened to a lot of metal, Megadeth and that, and those guys play really fast and are virtuosos. I wanted to learn more about it, and I discovered that a lot of jazz guys played really fast, too.
More than anything tough, I play 'Madden'. I'm a football guy at heart; maybe I should have played football for a living instead, because I play a lot of football videogames. I'm really into them.
It's just something I've always loved to do: talk basketball. It's easy for me to give my perspective, my analyst approach to it, because even when I played, I would watch film, talk about the game.
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