A Quote by Booker T

My first contract with WCW was, like, $70,000 a year. I didn't know you could make that kind of money doing this. I was like, 'Wow. I think I'm going to stick around for a long time.'
My first contract I was offered by the UFC, or my second contract, it was 1-and-1, 2-and-2, 3-and-3. That's $12,000 for the year. Don't complain to me about fighter pay. It was $12,000 for a year, and it was exclusive.
I call it "being interrupted by success." We had done The Soft Bulletin, which came out in 1999, and we knew we that were gonna make another record before too long. But in between this, we were still in this mode of kind of just - not re-creating what we could be, but kind of doing different things. For the longest time in the Flaming Lips we were like, "Make a record, go on tour. Come back, make another record," and you know, I think, frankly, we were kind of like, "There's more to life than just recording records and going on tour."
There are very few voices that can speak with any kind of authority or credibility on what happened back during the time when WCW and WWF were going head to head, and I think the audience is interested in that period of time, clearly. And like I said, nobody could speak to it quite the way I could.
If you're on a contract at 'The New Yorker,' the contract specifies the number of words you will publish in the magazine per year. I get paid by the word, like most writers. That's one reason why the Scientology article was 25,000 words long!
No matter what went down, music was always going to be a part of my life. What ultimately happened is that, over a period of time, I just kind of looked around and when like, 'Wow! I'm actually making a living doing this.'
The thing is 3,900 out of 4,000 college basketball players are very happy to have a scholarship. They're happy. They've got a $70,000 scholarship and they've got money in their pocket. It's the other hundred guys and they're all going to make money playing basketball and the top guys are going to make a lot of money.
First of all, the first cut of the movie was like three and a half hours and I walked away going, 'Wow, I know there's like twenty minutes that I can cut - ' when I first saw it 'But I don't know after that.' The first time I put up then in front of people I was like, 'Oh, my God, I can take that out and that out and that out.'
In WCW, your future was determined by the time you signed the contract. I was the lowest-paid guy in the company at $75,000.
I love eating healthy and doing the yoga thing, because I think I'm going to live to a thousand doing so. And that's because I don't want to leave here so soon. I want to stick around as long as I can, but I know that's not going to be the case. We're all going.
My first film I made, "Permanent Vacation," we shot in 1979 for like $12,000, part of which I got a fake car loan for that Amos Poe told me you could do that. And, yeah, I had no idea what I was doing. It was just like, well, we're going to try and do this. Partly because I had been following Amos Poe and Eric Mitchell around for about a year, and I worked on some of Eric's films as a sound recordist and stuff.
It's not that you don't make any money doing conscious rap music. You make a lot of money doing this, but if you're greedy and you're not satisfied with $500,000 a year, and you want $2 million a year, then you will suffer as a conscious rap artist.
Honestly, I think it's dumb luck that I'm able to kind of get away doing different types of films in different genres. There's always a tendency to kind of stick with what works, or stick with one particular kind of brand or movie. But so far I've been getting away with it, so I'm going to continue to do that for as long as I can.
I felt that, as time went on, an audience gets to know you and in a weird way, you kind of feel like you get to know the audience a little bit. When I'm doing stand-up gigs now, I feel like I'm doing gigs in front of people I know. I think that's the result of doing late-night shows for so long.
I signed a $150,000 contract with TNA Wrestling for a year. I ended up 8 appearances for 40 minutes. Then I signed a second contract and they didn't use me. So, I'd like to thank them for $300,000 for 40 minutes' worth of work.
I'm always running around trying to raise money to make the films. Fortunately, I've been able to do that, but if I can't, at this point, it's not like I wanted to spend a lot of time putting together, you know, you spend a year of your life on something, you go, "What the hell am I doing that for?"
I think for a long time, I was paralyzed by some of my hopes and ideals for what my life was going to be like. I had this perfect vision of how my life should go, but it seemed - it was - impossible to realize, so I sat around for a long, long time doing almost nothing at all.
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