A Quote by Booker T

After I've sat back and looked at my body of work, thought about it, I go, 'Wow, I guess I am a Hall of Famer.' — © Booker T
After I've sat back and looked at my body of work, thought about it, I go, 'Wow, I guess I am a Hall of Famer.'
I didn't see Kirby Puckett as a Hall of Famer. I didn't see Gary Carter as a Hall of Famer. I didn't see Don Sutton as a Hall of Famer. I didn't see Phil Niekro as a Hall of Famer. As much as I like Jim Rice, I'm not so sure he's a Hall of Famer.
I'm a Hall of Famer, and I can go outside today and go to a restaurant or wherever, and somebody will come up to me and say, 'Practice? We talkin' 'bout practice?' Man, I am a Hall of Famer, and that's all you can think about?
The Ultimate Warrior character relative to professional wrestling or WWE, he's definitely a Hall of Famer. He's a Hall of Famer whether he gets into the Hall of Fame or not.
People always talk about first-ballot Hall of Famer and all that stuff, but it doesn't really make a difference. Once you get in there, you're a Hall of Famer. It doesn't matter if you get in on the first, second or third ballot. It's the same thing.
I'm very proud of my dad. To me, there are comparisons, but there aren't comparisons. We kind of play two different positions. He's a Hall of Famer, I'm not a Hall of Famer.
Coming from Oakland, Calif., I never thought I'd be a Hall of Famer. I wasn't thinking about basketball like that.
I didn't go into the Hall of Fame until I was a Hall of Famer. Three times I had been there, I never stepped foot inside.
I want to be a Hall of Famer, go to Pro Bowls every year - just make sure my name is remembered after I leave.
Obviously, I've been very fortunate to be able to work for a Hall of Famer, to be able to coach a lot of Hall of Famers.
I'm not hesitating on that. I am a Hall of Famer.
When I am working a book, I go through my library and take a look through some of the great cartoonists of the past, like Cliff Sterrett, who did "Polly and Her Pals," or Winsor McCay who did "A Little Nemo in Slumberland," and Herriman - and I just looked through these guys and looked for somebody to steal. You know, looked for who I could swipe, or turn into - who's work I will turn into my work. And I still use, after all these years, these artists as inspirations. So, here in my eighties, I go back to when I was eight for my inspiration.
The time I'm not spending with my kid has to be worth it, so when I sat down with my agents after I was ready to go back to work, I told them: It's all about the directors.
By the time I got to set for 'Cobra,' I think I'd lost about 28 pounds in about a month and a half. I didn't want to look back and be like, 'Wow, someone should stop eating PB and J's.' Like, if I'm going to look back when I'm 80, I wanted to be like, 'Wow, okay, I looked pretty fit. I used my youth right.'
When I was interviewed after I got hired to replace Walter Alston, a future Hall of Famer, I was asked: “Don’t you feel pressure on you?” I said: “Want to know something, I’m worried about the guy who’s going to have to replace me.”
When I was interviewed after I got hired to replace Walter Alston, a future Hall of Famer, I was asked: 'Don't you feel pressure on you?' I said: 'Want to know something? I'm worried about the guy who's going to have to replace me.'
It's pretty simple, the way I look at it. I became a Hall of Famer here (in New York), with my numbers here and what I've done here, and hopefully three-hundred will be another big part of that. When (former Red Sox general manager Dan) Duquette said that I was done, if I'd have taken his advice and went home, I wouldn't have been a Hall of Famer. So it's a no-brainer. It's definitely pretty easy. Reggie (Jackson) spent five years here, and this will be five for me.
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