A Quote by Boots Riley
I thought there were too many songs about people's personal lives.
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I think the songs I was writing after Aeroplane were full of a lot of undealt-with pain that was just a little too big... the issues seemed too large for me to confront intuitively through songwriting. I kept pushing it and pushing it. There are so many issues about being human and why people inflict pain on each other. There were seeds of all these things I hadn't dealt with. With just the personal issues, I felt I was in over my head, but then to write about it... To write you have to have at least a little bit of confidence you know what you're talking about.
And I thought about how many people have loved those songs. And how many people got through a lot of bad times because of those songs. And how many people enjoyed good times with those songs. And how much those songs really mean. I think it would be great to have written one of those songs. I bet if I wrote one of them, I would be very proud. I hope the people who wrote those songs are happy. I hope they feel it's enough. I really do because they've made me happy. And I'm only one person.
In my culture we had songs for everything, and that's lost now. There were songs for when people were born, when they died, when they sowed the field, baked bread and they're gone now mostly. I think we need these songs today. One of the reasons people connect to Wardruna in such a personal way is because there is a need for these songs and for that kind of connection to the nameless. Call it nature, god whatever.
At the beginning of my career, I saw an opportunity to forge new ground and focus on songwriting. Not many people were doing that at the time. Pretty much nobody. I thought I could write some really cool songs that would rise above all these dozens of genres that exist within dance music. I'd make it more about the songs. For the last 20 years, I've been sharing stories of my life through music. I've been writing songs about my life.
My music is a personal thing, and I feel like if I talk too much about the songs, or if there's too much of my personal life out there, it ruins it.
There were a lot of songs during my MCA years that I thought should have been singles but were not. You can't worry about what wasn't - I was very lucky to have as many hits as I had.
Some people may have thought that this book was too personal, too confessional. But what these people think about me is none of my business.
There were so many Cuban-Americans upset that we were going to Cuba and I was curious to see why they were so angry, and anti-Castro. I found out as soon as we got there. The people were treated terrible. The conditions were terrible. I can see why people risk their lives and limbs to get out. (Fidel Castro) lives like a king and won't help anybody, and has everybody scared to death. Nobody lives a normal life. It was still a good experience, but I thought we should just play that one game.
I had been really obsessed with Jonestown for a long time - many years - and had read everything there was to read about it, seen all the footage and the documentaries. I found it really chilling in a personal way - the question of people submitting all their personal power and agency and independent thought it the name of a group or ideology. I could not find a way to write about it directly that didn't feel too heavy.
The truth is that History, with its imposing capital H, is simply the amalgamation of many quotidian lives lived in very ordinary ways. History is always personal. If you read Holocaust survivor or American slavery survivor narratives, you realize all too well that these great Historical moments were personal to someone at some time.
I used to write songs that mimicked other songs that I would hear as a kid, cos I was 12 years old when I was writing those, right. And you hear a radio so all I'd write about was [sings] "hey girl, look at you", you know what I mean. I think that even doing that made it easier for me to write non-personal songs because, from a kid, I never wrote personal songs, they were always like mimicking. And now I'm just trying to understand my writing and where it's coming from.
I wanted to play rock and roll when I started playing. Nobody at that time ever thought about songwriting. You sang songs, that's all. You sang other people's songs. That's all there were.
Many of the songs were written as a way of paying tribute to specific people, but in the end the songs took on a life of their own and I didn't worry about accuracy or biographical truth, so it's not a problem.
There have been so many times over the years where people have said "Man, I thought I was just coming to this deal to get a little handier with my horse" and I'll say "Well, in the beginning, I thought that's all you were coming for too. But it turns out it's about something else."
I thought there was something intrinsically fascinating about people who communicate for a living and are incapable of communicating in their personal lives.
When it came to using elements of your personal life in your work, my mother was the master, or the mistress. There were three or four songs she wrote about my father - songs about failed love.
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