A Quote by Boots Riley

You make art, you make it from what you know, and that's the best way to make art. You get lost in the details and make something that feels like it's yours. — © Boots Riley
You make art, you make it from what you know, and that's the best way to make art. You get lost in the details and make something that feels like it's yours.
When things get tough, this is what you should do: Make good art. I'm serious. Husband runs off with a politician -- make good art. Leg crushed and then eaten by a mutated boa constrictor -- make good art. IRS on your trail -- make good art. Cat exploded -- make good art. Someone on the Internet thinks what you're doing is stupid or evil or it's all been done before -- make good art.
Take a bunch of little kids to the beach and they all make art. Adults are too stupid to call it art, but it is art. They'll use their imaginations, make drama, make up characters, make pictures in the sand, they'll make up songs that no one's ever heard before. All kids, I think, are creative, but they get it pounded out of them in school.
People make art on the sides of buildings, and they'll make art on the sides of trains. They'll make art wherever they decide to make art. The technology that people are working with now will be replaced in 10 years, so that's not where your future is, if you're a musician.
Everything comes from a weird place that I don't understand. I make a piece of art just to prove that I exist in my own way. And I can't make something nice. I have to make something that makes me uncomfortable.
You have to have a certain amount of limitations, I think, to make art and to make something that can be alive on film. Money can get in the way of that.
Artists make art for themselves. Art is an honest expression. Artists who pander to their fans by trying to make music "for" their fans make empty, transparent art. The true fan does not want you to make music for them, they want you to make music for you, because that's the whole reason they fell in love with you in the first place.
The very best way I can make any reader believe in the nuts and bolts of an art form... is to know the mechanics, to make the characters grounded in convincing detail.
Don't make art for other artists or for 'intellectuals', make art for people - and if you can touch just one person in a lifetime and make a difference - you have succeeded.
There are so many different ways to make art. And so many good stories. You don't have to have a budget. I feel like it's super possible these days for people to make anything, no matter who you are or where you come from. And that's really exciting. I'm excited to see people around me pushing boundaries in that way, not letting certain structures define them or what art they can make.
Obviously, artists need to make money and stuff like that, but if you do something good or if you make good art or make good stuff, the wealth will find you in some way.
The way I make art - the way a lot of people make art - is as an extension of language and communication, where references are incredibly important.
The way I make art, the way a lot of people make art, is as an extension of language and communication, where references are incredibly important.
You get to keep making art as long as you are willing to make the choices that let you make your art.
Oftentimes, it feels like we spend so much of our life waiting to make art, waiting for somebody to let us do something. You don't really have to do that. You can make it all the time. And 99 percent of the time, it's not going to be a big deal on a global scale. But 100 percent of the time, it's going to make you feel amazing.
I'm not anti conceptual art. I don't think painting must be revived, exactly. Art reflects life, and our lives are full of algorithms, so a lot of people are going to want to make art that's like an algorithm. But my language is painting, and painting is the opposite of that. There's something primal about it. It's innate, the need to make marks. That's why, when you're a child, you scribble.
Much of our lives involves the word “no.” In school we are mostly told, “Don't do it this way. Do it that way.” But art is the big yes. In art, you get a chance to make something where there was nothing.
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