A Quote by Boots Riley

I chose to do art in the way I always do it, which is with all the crazy contradictions of life in there. — © Boots Riley
I chose to do art in the way I always do it, which is with all the crazy contradictions of life in there.
A successful work of art is not one which resolves objective contradictions in a spurious harmony, but one which expresses the idea of harmony negatively by embodying the contradictions, pure and uncompromised, in its innermost structure.
I've always been interested in art and making things, but I chose not to go to art school because I thought I needed to do something else. Art was a tough way to make a living.
Jesus lived a life that was full of joy and contradictions and fights, you know? If they were to paint a picture of Jesus without contradictions, the gospels would be fake, but the contradictions are a sign of authenticity.
Unless you recognize the contradictions within various strata, you fall prey to a really kind of false homogenization that does not do justice to the way in which those contradictions can be both understood and is sometimes actually used to the benefit of people who need them.
If you're a writer, you've chosen art as a way of life. You must accept that some will like your work and others will not. It's the life you chose, so live with it and don't complain.
The way your life plays out depends on which dominoes you chose to push over and which ones you leave alone.
I'm very drawn to the way in which a life lived can be an art of sorts or a failed art, and a life-lived-told can be art as well.
The Good News borne by our risen Messiah who chose not one race, who chose not one country, who chose not one language, who chose not one tribe, who chose all of humankind!
What strikes me is the fact that in our society, art has become something which is related only to objects and not to individuals, or to life. That art is something which is specialized or which is done by experts who are artists. But couldn't everyone's life become a work of art? Why should the lamp or the house be an art object, but not our life?
There is a lot of contradictions of mermaids as a symbol. I'm always interested in contradictions.
It is not that I love contradictions: life is contradictory. Existence itself is possible only through contradictions.
Contradictions have always existed in the soul of [individuals]. But it is only when we prefer analysis to silence that they become a constant and insoluble problem. We are not meant to resolve all contradictions but to live with them and rise above them and see them in the light of exterior and objective values which make them trivial by comparison.
Providence has fixed the limits of human enjoyment by immovable boundaries, and has set different gratifications at such a distance from each other, that no art or power can bring them together. This great law it is the business of every rational being to understand, that life may not pass away in an attempt to make contradictions consistent, to combine opposite qualities, and to unite things which the nature of their being must always keep asunder.
In the vocabulary of certain radical theorists contradictions are given the status of some deadly disease to which their opponents alone can succumb. But contradictions are the very stuff of life. If there had been a little dash of contradiction among the Gadarene swine some of them might have been saved from drowning.
The oldest theory of art belongs to the Greeks, who regarded art as an imitation (mimesis) of reality. The strength of that theory is that it explains the way in which art takes its materials from real life.
Chose? If you believe that I chose any part of the pitiful shadow of a life you see before you, you are very much mistaken. I chose glory and success. The box did not contain what was written on the lid.
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