A Quote by Boots Riley
There's this zeitgeist happening, and people are more open to 'Sorry to Bother You' being a hit with 'Get Out' being out there. But that zeitgeist is also happening because of the movements going back to Occupy and Black Lives Matter. Usually, film is years behind. It just so happens that, this time, everything is lining up.
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I sometimes think they should have said 'Black Lives Matter Too,' because that is really what is being said. The outcry is that historically and presently, the feeling is that black lives don't matter as much as white lives because we don't see the same type of things happening to them.
A lot of people of color and the Black Lives Matter movement will talk about what's really happening, but it seems like you can't get the black president to say something that's obvious about what's happening to black people in this country.
There are some people who have helped to advance me and other girls, but the fashion industry is always behind popular culture. They think they understand the zeitgeist. They don't know anything about the zeitgeist.
Absolutely I'm going to be talking about it, because it's in the zeitgeist and it's happening. It's an election year. It's the biggest election. Every election is a big election, so whenever anybody says that it kinds of grates me, but it's a fiasco. It's turned into a complete circus act, so of course you have to make fun of it, but responsible journalists definitely are being irresponsible. They're giving [Donald Trump] so much air time.
You have to assess every situation that you're in and you have to decide, is this happening because I'm black? Is this happening because I'm a woman? Or is this happening because this is how it happens?
I think it's very important to get this stuff on film, not just the behind-the-scenes of the process, but also the interviews with the women. We're going to try to do some on-the-street filming, getting people's reactions to the work, and seeing if we can get some street harassment happening on film so people can see what we're talking about. It's important to have some type of documentation so people can see what happens when we create this artwork and why I'm creating it.
I am 32-years-old, and diversity is working for me. I see a lot of change. You can't deny the revolution that is happening about body sizes. With social media and everything, everyone can get their voice out more. It puts a lot of pressure on the industry to do, give more spaces to different ethnicities or ages or sizes. I do feel like the change is happening. It might have just started, but I believe it's not going to end. It's just the beginning.
'SNL' came out in the '70s. It's a different zeitgeist. It's hard to re-create it, just as it would be hard to do a black-and-white noir film now. The culture's different.
Being a good steward of your pain. . . . It involves being alive to your life. It involves taking the risk of being open, of reaching out, of keeping in touch with the pain as well as the joy of what happens because at no time more than at a painful time do we live out of the depths of who we are instead of out of the shallows.
We are clear that all lives matter, but we live in a world where that's not actually happening in practice. So if we want to get to the place where all lives matter, then we have to make sure that black lives matter, too.
I've said this a lot lately, too: if, 20 or 30 years down the road, when everything's said and done, I was never able to achieve that level of zeitgeist again, then so be it. I know how rare it is for anybody to do that. But I also feel like, OK, we're getting on to 25 years of putting out records: that's also kind of rare air for anybody who makes music. And I think you just end up kind of grateful for every opportunity that comes along.
I had to call in because I do believe, I know of cases, it is happening that some of these kids that weren't born here but they've lived here all their lives, they are being deported. And I also know of cases where the kids are born here, they're American citizens, they're put in foster homes and their parents are deported, and their parents are begging to get their kids back. That actually is happening.
I think it's very important for everyone in America to realize right now the state of our country, not just on this issue but on a lot of issues, that it is time to get active again. People have just sat back and just sort of said, oh, let somebody else do it for a long time, and we're seeing what's happening to the country, even freedom of speech. It's not going well. So I think this is a real opportunity for people to see, yes, if you do get out and you do get active, there are other people there. You just have to seek them out.
It's about being fair. It's about Black Lives Matter. Yes, they matter. Everybody counts or nobody counts, and I think if more cops had the philosophy of Harry Bosch, we'd have less of these situations happening.
So you can see what is happening in the New Testament. Worship is being significantly deinstitutionalized, delocalized, de-externalized. The whole thrust is being taken off of ceremony and seasons and places and forms and is being shifted to what is happening in the heart - not just on Sunday but every day and all the time in all of life.
Maybe certain aspects of what I was doing were reacting against what was happening or what people said, too. That's something that happens when you're starting out. After some time goes by and you get a little perspective, you realize that you don't need to react. You can just carry on with what you're doing. That took me a long time figure out; I've only gotten to that point in the last five or 10 years.
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