A Quote by Bootsy Collins

Once you lose that musician part -not just the playing, I'm talking about musician attitude- then you're lost, man. Especially if you started out that way. It feels so good to be back, starting from the ground up.
Most people define themselves by what they do - 'I'm a musician.' Then one day it occurred to me that I'm only a musician when I'm playing music - or writing music, or talking about music. I don't do that 24 hours a day. I'm also a father, a son, a husband, a citizen - I mean, when I go to vote, I'm not thinking of myself as 'a musician.'
Slowly, over time, I learned enough that I started considering myself a musician, where I actually knew how to play instruments. But still, when I talk to my real musician friends, they're calling chords out, and I have no idea what they're talking about.
Well I'm a third-generation musician. My Grandfather's a musician and my father and mother were both musicians and so I'm a musician. It was just natural that I should be a musician 'cause I was born into the family.
I think my playing has been orchestral throughout the years, and this is another way of expressing that. But I primarily see it as the ultimate accomplishment of a musician. Composing makes me feel like I've finally gotten all the way up the ladder as a musician.
I would say I'm a musician first, actually. I started playing music when I was 10. Then I started designing, went to school, set up a proper business about 10 years ago - our anniversary coming up. But I've played music throughout and still am.
I started out with the guitar and was a studio musician back in the 50s, and then got shot in my finger.
I wasn't really that good at being a musician. And then I tried being a standup. I was an actor. I was a photographer. I tried everything. Nothing was particularly working for me, but then, as a musician, I wrote jokes for comics. And they started to buy my jokes, and that's where I thought maybe that might work.
I can show you that I have played with just about every jazz musician, every African musician, every blues musician. It's not like I'm cashing in on a false concept. This is what I do.
I think for a classical musician the goal is the same as an electronic musician. A very good professional classical musician must not think about technique.
I was feeling privileged and self-conscious about my life as a musician, which feels self-absorbed. I can't help it, I am a musician. This is what I do.
So if you can make it through, you know you've got something good, you can handle anything. We've been blessed to grow but at the same time, the hard part is having to wear every single hat. It's exhausting, but it's entirely worth it because on the flip side, the best part about being a touring musician is being a touring musician.
I just look up to anyone who made music back then because you really had to be a musician. There were no samples or drum machines. Those people back in the day paved the way for people like me.
A lot of people ask how I ended up doing classical music given that I'm in a rock band. The truth is that it's the other way around. I was trained as a classical musician and then started playing in a rock band later.
Elvis Costello had a brand new bag. He was a musician, but he knew all about the attitude part of it.
I would say to anyone starting out that if their priority in life is happiness, then don't be a musician.
I don't wanna talk about Teo [Macero]. He's a helluva musician, a brilliant musician, but he's just not for me, that's all. I can elaborate on it, but I don't want to do that.
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