A Quote by Bootsy Collins
I wanted to get my recording and become a musician again, work; with other people, do that kind of thing because I kind of got away from that for a while once we started happening, you know, selling records, sold out concerts.
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A lot of people kind of perceive me as some kind of pop act because in the early '80s 'I Love A Rainy Night' went No. 1 for two weeks in a row and 'Driving My Life Away' sold a million records.
I'm a businessman. I work for business people. The kind of thing they say is: Now we've sold a lot of records, let's sell some more.
I'm just a music fan. I like pretty much all types of music, and I feel like I can get something out of everything. It just makes work a lot more fun whenever you're working on different things all the times and usually once I work with a band I usually will want to work with them again, just because we become good friends. That sometimes is the only bad thing, is that I work with bands that I already know. That's not really the best thing in the world because I should always be keeping my eyes out on other things.
Not that I got bored with it all, or I didn't like the people in The Moody Blues. I just wanted to go off and do other things purely because it was out there, you know. I'm kind of glad that I did and that I didn't just stick with one thing.
I wouldn't wish a night of 1971 television on my worst enemy. But the records of 1971, again, still live for us now. And they had the benefit at the time of having the kind of uninterrupted, unimpeded concentration of a huge generation of people. Because the only thing I wanted to spend money on when I was 21 was records.
My songs get to a stage where they resist any further change, you know? And that's kind of where they are, short of re-recording or starting again. That's kind of where it's gonna be.
If you sold a million records, the only way you could be disappointed is if the guy down the street sold seven million. But you've got to start dodging bullets once you've sold that many records, because everybody wants to kill you. We're not in that position. We can still be very successful and not have to worry about wearing bulletproof vests.
Being a recording artist, selling music, selling concerts out, having a reality show, starting film; it's great, it's beautiful.
People don't get that being a musician is a job, they don't get what the work takes. And that's just because you're living a dream, so everyone who's observing it from the outside can't really empathize with how much work it is because you're fortunate. And it's a kind of competition with yourself to stay away from all of the excess, whether it's booze or drugs or just the late nights with the addiction to watching the sun rise in some weird part of the world. But when you meet the other musicians, there's generally a spiritual exhaustion that you connect with.
So my reason for doing drag, at first it was because I wanted to express this thing I had kind of stored deep down inside of me and now that I've let this thing loose, this monster out into the world and I kind of got that out of my system now.
It started kind of slow, but we got back into it, bad as you might not want to. You've got to get some type of enthusiasm going out there. It's kind of kicking in as a reality. People only grieve for so long, but I'm starting to understand it.
I think I always kind of wanted to be a musician but never dared to say it out loud because I never thought it was possible. I wanted to be a teacher, a lawyer, a doctor - I wanted to be a lot of other things growing up.
The cliché of that sort of wasted, renegade, drugged-out musician of the '70s is kind of dead and gone now. And I suppose that a lot of people still keep relying on that, or some kind of image to perpetuate something that they think they're supposed to sound like. But that kind of takes you away from real inspiration and, you know, real artistic discovery of the individual.
I had promised myself when I first got started that if I got to the point my life where I started feeling 'Gee, I'd rather be at home than at work', and that started happening more often than not, that it would be time to leave. I'd wake up some days and go "Oh, I don't even know if I want to go face this anymore". I would, I would go do it, I'm a dutiful kind of person and not afraid of work.
I'm sensitive to how people are feeling if they feel like they got it wrong, and sensitive to the people who are kind of gloating that they knew all along, they figured it out. I'm loving them through this process, because I know that it took me a while once I found out that it was me.
I mean I always wanted to get tattoos, that's why I got them kind of fast. Because I already knew what I wanted and kind of where I wanted to put everything at, just had to wait for the right time.
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