A Quote by Boris Johnson

I used to get very, very frustrated by people being told what to do by nanny in Brussels. And I remember once I rang the official who was actually responsible for banning the prawn-cocktail-flavoured crisp, which I think contained a dye called Arithrazine or something like that.
Rip Torn thought I was being a wise guy, and one afternoon he got pretty angry with me after telling me to do something and he thought I was pretending like I didn't know what he meant.But he was very frustrated. He was very frustrated as a director in trying to get his little theater group going. It was called The Sanctuary Theater Workshop, I think, and he wanted to do these classical plays by people like August Strindberg, and he was fighting hard to get his show up and be good and be professional.
At one point, when I didn't make the 2007 World Cup squad, I was very, very frustrated. Then I became very hard on myself. Whenever I used to go to the nets, or when I trained in the gym, I was very hard on myself. I couldn't sleep; I used to think a lot. Very, very desperate to make a comeback.
I think that the real tragedy of Greece - aside of the savagery of European bureaucracy, Brussels bureaucracy and northern banks, which was really savage - is that the Greek crisis didn't have to erupt. It could have been taken care of pretty easily at the very beginning. But it happened and Syriza came into office with a declared commitment to combat it, and in fact as I recall they actually called a referendum, which horrified Europe.
Leonard Aster thanked Fighting Prawn and the Mollusk tribe for their hospitality. “You mean,” said Fighting Prawn, “for not killing you?” “Yes,” said Leonard. “It was very gracious of you.” “Do you,” said Leonard, “I mean, does you tribe, shake hands?” “No,” said Fighting Prawn. “We kiss on the lips.” “Oh,” said Leonard, looking very alarmed.
I'm actually called Bang, a quite common name in Denmark where I'm from, so it's not like me trying to come up with a very stupid name for people to remember me or something.
In Brussels, you are able to have a lot of appointments in a day. In Paris, you can have one, two, maybe three, but you spend all your time on the road, in the car or in the suburbs. In Brussels, everything is easy. It's not a very big city, and the people are very quiet and warm.
Now I'm more behaved, I think it's age, you get older, more responsible, more quiet. But if I would want to dye my hair, for example red or blue, be sure that I'll dye it!
I think videos are really hard. I'm yet to be happy with a video. It's very weird watching yourself on camera, which I guess I'm going to have to get used to. I love the thought of being in them, but it's one thing to say that and another to actually do it.
I'm very comfortable speaking to millions of people, but not comfortable in a small, intimate social setting. Like cocktail hour. I get very panicky.
I always go back to how people behave. If you watch how people actually behave in a situation, it's very simple and honest and contained. You don't need to use as much expression, as much feeling. Some characters will boil over, and that's another thing, but a lot of times I think you can just do very, very little.
If you want to get really crazy, Brussels sprouts love cured pork. Crisp up some bacon, pancetta, or chorizo in a skillet; save the crisp bits; use the fat to roast the sprouts; then toss them together with the meat when they come out of the oven.
I'm used to being in front of camera and knowing what to think. But if you're asking me to be me, I get very self-conscious. My job isn't to be me. Being an actor, people think you can do a eulogy at a funeral, a speech at a wedding. I find all that very nerve-racking.
I actually thought 'Desperate Housewives' finished very well. I just think there's still stories to be told. I feel like I get that from fans that they weren't done watching those people's lives.
I found very early on when I became a hip-hop artist that I loved telling stories. Actually, when I was trying to get a message across it was more powerful when I told a story, rather than if I used a metaphor or if I preached about an issue. And through doing that I realised that actually these stories were very visual in my head and I couldn't wait to make the videos.
I used to stay up very late at night, much later than I probably should have for such a youngster, and I used to watch very old black-and-white movies with, you know, Bette Davis and Joan Crawford, but I remember watching them thinking 'I could do that'... Even though I wasn't inclined at all to actually become an actress. I mean, that wasn't something that was... in the stars for me, no pun intended.
I can remember in my early days of writing going to sort of writers' functions and parties and things like that, and I used to get very irritated because when people heard that you came from the suburbs, they had this notion that it was very un-cool to come from there.
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