A Quote by Boris Kodjoe

The Southern Baptist Church is a specific culture in itself. So, I had to study, talk to people, watch tape and go to performances to see how Gospel artists move compared to secular artists.
I like the idea of the museum world and the university-academic situation where artists talk to each other or where artists or art students study with artists.
I had been stockpiling Gospel songs for other artists, and had planned to submit them to Gospel artists.
I enjoy being on stage with other artists. I have a chance to watch and see people responding to the other artists songs. I get to see how people are affected by the music.
Artists raise their kids differently. We communicate to the point where we probably annoy our children. We have art around the house, we have books, we go to plays, we talk. Our focus is art and painting and dress-up and singing. It's what we love. So I think you can see how artists in some way raise other artists.
People had an idea of what R&B artists or pop artists usually say, which was like, 'Talk about sex, talk about partying, and be positive; don't be too much of a downer.'
An artists job is to see. And to go out in the world and see it firsthand, just as it is; to report with line and words what is seen. To be in the world, not just study about the world, that is the artists task
Gospel artists have to do something that secular artists don't always have to do and that's kind of abide by and reflect a certain set of values and morals. So everything that we do, every decision that we make, every picture that we take has a different weight on it. It's always interesting in balancing being an artist but being a minister as well.
People who are artists professionally are not artists because they want to be artists; they have to be artists. They're compelled to get that creativity out and to share that with others.
When we talk about contemporary art and contemporary artists, we usually imagine artists who are alive. But I feel very uncomfortable about placing a border between living artists and dead artists.
The Gospel lives in conversation with culture, and if the Church holds back from the culture, the Gospel itself falls silent. Therefore, we must be fearless in crossing the threshold of the communication and information revolution now taking place.
Warhol came from an ordinary family and he had a profound understanding about capitalism and material culture. He was probably one of the few Western artists - or artists from the United States - that could be considered a true product of his time and brought out that kind of spirit of the culture.
A lot of artists give up because it's just too damn hard to go on making art in a culture that by and large does not support its artists. But the people who don't give up are the people who find a way to believe in abundance rather than scarcity. They've taken into their hearts the idea that there is enough for all of us, that success will manifest itself in different ways for different sorts of artists, that keeping the faith is more important than cashing the check, that being genuinely happy for someone else who got something you hope to get makes you genuinely happier too.
Growing up in New Orleans, my mom and dad were churchgoers. I would go to church with them. Also, I was going to a Catholic school so I had a fascination with the Catholic Church mainly because, in my mind, (their services) didn't take as long. I was bouncing in between my mom's Baptist church, which was called Second Zion Baptist, and going to a Catholic Church.
People are very uncomfortable when you call actors artists because there are a lot of actors out there that aren't artists - there are a lot of actors that are hired for very specific reasons that are shallow and have to do with sexual currency and what the industry thinks sells. Real actors are artists, they're expressionists.
I try not to be cruel to people. I know there's a karma, and I'm constantly thinking of my blessings. I live and die by being a Baptist. If I can't go to church on a Sunday, I'll get a tape by the Clark Sisters and slide it in for the day.
I think it would be bad for culture and the art if artists and people who develop the apparatus to support those artists don't get paid.
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