A Quote by Boris Pasternak

February. Get ink, shed tears. Write of it, sob your heart out, sing, While torrential slush that roars Burns in the blackness of the spring. Go hire a buggy. For six grivnas, Race through the noice of bells and wheels To where the ink and all you grieving Are muffled when the rainshower falls. To where, like pears burnt black as charcoal, A myriad rooks, plucked from the trees, Fall down into the puddles, hurl Dry sadness deep into the eyes. Below, the wet black earth shows through, With sudden cries the wind is pitted, The more haphazard, the more true The poetry that sobs its heart out.
As you get older, the heart shed its leaves like a tree. You cannot hold out against certain winds. Each day tears away a few more leaves; and then there are the storms that break off several branches at one go. And while nature’s greenery grows back again in the spring, that of the heart never grows back.
Love attacks. It sneaks up like a pride of lions or a pack of hyenas and eats your heart out while you watch. Love is the bully on the playground who takes your lunch money and gives you a black eye in return, the arsonist who burns your house down with you in it, the witch who lures you into her home with candy and boils you alive for dinner. Love is raw, and violent, and instantaneous. You don’t fall in love; you get trampled by it.
I use dull colors in my drawings because I started out using a root beer base, because it seemed like an interesting idea, and when it turned out that it worked quite well as an ink, I started using other colors that would complement it, like grays from Higgins black writing ink and, more recently, Dr. P.H. Martin's olive green and vermilion.
There are no medium-sized trees in the deep forest. There are only the towering ones, whose canopy spreads across the sky. Below, in the gloom, there's light for nothing but mosses and ferns. But when a giant falls, leaving a little space ... then there's a race - between the trees on either side, who want to spread out, and the seedlings below, who race to grow up. Sometimes, you can make your own space.
Bright beads of red are rising through the ink, Hearts-blood bubbles smearing out into the black stream
Look at the sky. It’s not dark and black and without character. The black is, in fact deep blue. And over there: lighter blue and blowing through the blues and blackness the winds swirling through the air and then shining, burning, bursting through: the stars! And you see how they roar their light. Everywhere we look, the complex magic of nature blazes before our eyes.
The soft black talc blew through the streets like squid ink uncoiling along a sea floor and the cold crept down and the dark came early and the scavengers passing down the steep canyons with their torches trod silky holes in the drifted ash that closed behind them silently as eyes.
In USA, a black man only have like five years we can exhibit maximum strength, and that's right now while you a teenager, while you still strong, while you still wanna lift weights, while you still wanna shoot back. 'Cause once you turn 30, it's like they take the heart and soul out of a man, out of a black man, in this country. And you don't wanna fight no more.
It's not the black belt that you wear on your waist. It's the black belt in your heart and knowing that you can go out there and you can do it. That's what a true black belt is.
Sometimes you may feel very sad, because sadness also belongs to God. Sadness is also divine. There is no necessity to always be happy. Then sadness is your prayer. Then let your heart cry and let your eyes pour down tears. Then let sadness be offered to God. Whatsoever is there in your heart, let it be offered to the Divine Feet - joy or sadness, sometimes even anger.
I remember when the Bic pen was controversial. They came from France. They were cheap, and when one was out of ink, you threw it away; you didn't dip it into more ink.
Write till your ink be dry, and with your tears Moist it again, and frame some feeling line That may discover such integrity.
the streams buck like rams in a tent / whips crack and from the hills come the crookedly combed /shadows of the shepherds. /black eggs and fools' bells fall from the trees. / thunder drums and kettledrums beat upon the ears of the donkeys. / wings brush against flowers. / fountains spring up in the eyes of the wild boar.
Fool! Nothing but black ink runs through my veins!
But the moon came slowly up in all her gentle glory, and the stars looked out, and through the small compass of the grated window, as through the narrow crevice of one good deed in a murky life of guilt, the face of Heaven shone bright and merciful. He raised his head; gazed upward at the quiet sky, which seemed to smile upon the earth in sadness, as if the night, more thoughtful than the day, looked down in sorrow on the sufferings and evil deeds of men; and felt its peace sink deep into his heart.
I love seeing original cartoons. You get to see the artist's corrections, like erasures or Wite-Out or patches, and you get to see the artist's line in better detail, and what kind of ink they use - whether they like a cold black or a warm black, and what kind of paper they like, how big or small they like to draw - art nerd stuff like that.
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