A Quote by Boris Yeltsin
The main problem with being president is the constant sense that you are inside a glass bowl for everyone to see, or in a kind of barometric chamber with an artificial atmosphere where you must stay all the time.
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So it's a constant struggle, it's a constant balance, it's a constant search to find the balance between being responsible, carrying on with this as a livelihood and making ends meet, but at the same time, respecting your loved ones and being able to stay in touch and be there for them, at least emotionally since you're not there physically.
I grew up in the D.C. area, and I used to wear a Redskins jersey just walking around. I just had kind of a bowl haircut for a long time and no sense of style or personal hygiene. But the main thing was the haircut. You know, when you see a haircut of yourself from around 12 or 13, it's rough. I also had really bad acne.
It kind of sucks being the guy taking the knees at the end, because everyone wants to see some action - no one wants to see you taking knees in the Pro Bowl.
Gravity pulls our bodily fluids down, like water in a glass goes to the bottom part of a glass. In space, the water doesn't stay in the bottom of the glass. It distributes itself evenly over time throughout the entire volume of the glass.
I see the main problem of my life, and indeed anybody's life, as the balancing of competitive freedoms ... a sense of mutual obligations that have to be honored, and a legal system which can be trusted to step in when that sense fails.
The idea of flux, kind of constant change, whether it be our sense of time or geological time or cosmic time. It's always there, and I think that maybe it's a way of dealing with the idea of mortality, trying to acknowledge the fact that all things change, and whereas, maybe death is the end of one state of being it's the beginning of something else. I'm not talking about going to heaven or being reincarnated as a toad, I'm talking about the idea that the molecules in our bodies, or at least the atoms, were here at the beginning of the universe, and the sense that we are basically matter.
I must sojourn once to the ballot-box before I die. I hear the ballot-box is a beautiful glass globe, so you can see all the votesas they go in. Now, the first time I vote I'll see if the woman's vote looks any different from the rest--if it makes any stir or commotion. If it don't inside, it need not outside.
There will be Apple Glass, and Google Glass, and RIM Glass. These companies are all working on glass. I think everyone is going to be making glass. I think we're also going to have a glass war instead of a smartphone war.
The main problem is that we, as an Earth civilization, have not come to understand ourselves - see ourselves in a cosmic sense at all.
Books, for me, are a home. Books don’t make a home – they are one, in the sense that just as you do with a door, you open a book, and you go inside. Inside there is a different kind of time and a different kind of space.
What we see as risk and foolhardiness on the outside, can seem more like constant cohesive drive on the inside that holds to priorities that cannot be discerned by others, because they reside in far too private a chamber of personal experience to be shared easily. To dare everything is not necessarily trouble, but often the opposite. To have faith in a foundation you have discovered in life and which, though it is difficult to describe even to yourself, you refuse to relinquish.
I have a problem with capitalism, in it's extreme sense. At the same time communism, I have a problem with that, because every man must feel like a lord in his own manor.
However much a president wishes it, a national problem cannot be knocked out with a single punch. A president must work with the problem as much as against it, turn it into a solution if she can.
When you're dealing with Hollywood people, it creates a tight, tense atmosphere through the whole thing. And I don't like to work in that kind of atmosphere. I like to make my movies in a kind of relaxed atmosphere.
Ultimately, theatre is about creating a sense of wonder, and I think wonder is achieved not by a kind of wide-eyed silliness but by being available to that which is most unknown, inside the material and inside yourself.
I'm the kind of person who, if I see a shooting star, I wouldn't stay there and watch it. I'd run to my friends and tell them because I would want everyone to see it too.
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