A Quote by Borns

There's this poet named Walter Benton, I really like his stuff. He always uses landscapes as a metaphor for the female body. — © Borns
There's this poet named Walter Benton, I really like his stuff. He always uses landscapes as a metaphor for the female body.
I have a rescue dog named Walter, and Walter and I are such fans of the 'Jersey Shore' that we changed his name to DJ Wally D.
I love the Mexican muralists - like Rivera, Orozco - and the music of Walter Benton. They gave you a sense that reality was much more than life.
The poet, however, uses these two crude, primitive, archaic forms of thought (simile and metaphor) in the most uninhibited way, because his job is not to describe nature, but to show you a world completely absorbed and possessed by the human mind.
Loneliness is necessary for pure poetry. When someone intrudes into the poet's life (and any sudden personal contact, whether in the bed or in the heart, is an intrusion) the poet loses his or her balance for a moment, slips into being what he or she is, uses his or her poetry as one would use money or sympathy. The person who writes the poetry emerges, tentatively, like a hermit crab from a conch shell. The poet, for that instant, ceases to be a dead person.
It wasn't until I was named Youth Poet Laureate of L.A. in high school though that I officially began calling myself a poet. I just always loved writing, period.
When you're a female poet, would you, therefore, invoke a male muse? When nuns get consecrated into their vocations, they become brides of Christ. Christ is the bridegroom. In these symbolic actions, rather than in physical actions, where a male reaches sexuality or participates in intimate exchanges, if one uses a different term - there's often a heterosexual figuring that takes place. The male poet invokes a beautiful female muse. The virginal nun consecrated invokes the male bridegroom, Christ.
Science always uses metaphor.
Yoga philosophy teaches that real man is not his body, but that the immortal I, of which each human being is conscious to some degree according to his mental evolution, is not the body but merely occupies and uses the body as an instrument.
It is God's earth out of which man is taken. From it he has his body. His body belongs to his essential being. Man's body is not his prison, his shell his exterior, but man himself. Man does not "have" a body; he does not "have" a soul; rather he "is" body and soul. Man in the beginning is really his body. He is one. He is his body, as Christ is completely his body, as the Church is the body of Christ
An actor uses his body as a tool and an instrument. In the same way a musician plays an instrument, the actor uses his body to convey feeling and emotion. An animator uses a pencil or a computer to create the same thing, the same exact way... An actor is taking words that are not his own, and he has to bring some kind of authentic life to those words. It's the same goal, to create this authentic life. Even if it's a drawing, or if it's a cartoon, you're still trying to create authenticity because, if the character emotes authentically, it has a power to connect with the audience.
But you know, we have more hits than you can possibly think about. One of my personal favorite artists is the wonderful artist named Cher. And although I love much of her late stuff, her early stuff was the stuff that I really, really loved.
While the body is young and fine, the soul blunders, but as the body grows old it attains its highest power. Again, every good soul uses mind; but no body can produce mind: for how should that which is without mind produce mind? Again, while the soul uses the body as an instrument, it is not in it; just as the engineer is not in his engines (although many engines move without being touched by any one).
I think the term poet is a very exalted term and should be applied to a man at the end of his work. When he looks back over the body of his work and he's written poetry then let the verdict be that he's a poet.
Always in a foreign country, the poet uses poetry as an interpreter.
My poems always begin with a metaphor, but my way into the metaphor may be a word, an image, even a sound. And I rarely know the nature of the metaphor when I begin to write, but there is an attentiveness that a writer develops, a sudden alertness that is much like the feel of a fish brushing against a hook.
The man takes a body that is not his, claims it, sows his so-called seed, reaps a harvest - he colonizes a female body, robs it of its natural resources, controls it.
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