A Quote by Borns

It's all about the art, really, at the end of the day. — © Borns
It's all about the art, really, at the end of the day.
It's wonderful to make a lot of money, to be able to take care of my family, to have the facilities I have and really support the people the studio's involved with. But at the end of the day I'm quite simple as an artist-it's really about the power of art.
Living through art is a better way to live - not necessarily making art, but being surrounded by art. I think it's just as banal as trying to show my version of the beauty in the world. It's about beauty at the end of the day.
I think a lot of people are involved in art because of the fashion of art and the conversation. It gives them a certain sophistication, something to speak about. But art is, if it's conceptual, really about understanding the concept. And if it's beautiful, it's about seeing the beauty. It's gone much further than that now. There's too much commercialism attached to art. If the market cracks one day big-time, you'll frighten so many people away who will never come back. Because they don't really feel for art. People who buy art should want it because they love it, they want to enjoy it.
I really enjoy helping a band form their sounds and ideas from initial spark to completed album. Being a producer is different in that, at the end of the day, it is not my art. It's THEIR art, THEIR ideas, THEIR message.
Art makes people do a double take and then, if they're looking at the picture, maybe they'll read the text under it that says, "Come to Union Square, For Anti-War Meeting Friday." I've been operating that way ever since - that art is a means to an end rather than simply an end in itself. In art school we're always taught that art is an end in itself - art for art's sake, expressing yourself, and that that's enough.
Working on camera, your face is your career. But I'm not really one to buy into the pressures. At the end of the day, the job I do, it's more about the art and craft of it. If you're good at what you do, there's a place for you in the industry, no matter what you or your skin look like.
I very much enjoyed Leo Tolstoy's What is Art? I can't quote it, it's been a while, but at the end of the day, the idea is that "art that does good in the world is art, and what doesn't is not. It's propaganda or something else. It's bad."
At the end of the day, I just do my job. I love my art. But I genuinely want to change the world. I'm very generous, and I really want people to see that I am - that's really it.
The end of lower art is to please, the end of average art is to raise the top, the end of superior art is to free.
We were 6-4 and everybody doubted us. We lost to the Kansas City Chiefs and that week we had a players meeting and really talked about where we really want to go. It's not about the record. At the end of the day it comes down to are we going to keep focusing on each other and are we going to keep getting better day by day? We ignored the noise, we ignored all the talk from the outside.
writing is like being in love. You never get better at it or learn more about it. The day you think you do is the day you lose it. Robert Frost called his work a lover's quarrel with the world. It's ongoing. It has neither a beginning nor an end. You don't have to worry about learning things. The fire of one's art burns all the impurities from the vessel that contains it.
Sometimes art is just about getting a reaction, that's really the end-all be-all.
Then down came the lid--the day was lost, for art, at Sarajevo. World-politics stepped in, and a war was started which has not ended yet: a "war to end war." But it merely ended art. It did not end war.
Art history is fine. I mean, that's a discipline. Art history is art history, and you start from the beginning and you end up in artist in time. But art is a little bit different. Art is a conversation. And if there's no conversation, what the hell is it about?
I get really excited about collaborating because by the end of the day you have something that you never thought you'd have. I was really happy about writing "Bad News" and a bunch of other stuff on the record that came out so well.
I've worked with some really great directors, and I'm really choosy about them because they're telling the story at the end of the day.
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