A Quote by Borns

I really like intimate venues because it feels like everyone in the audience is in on all our inside jokes. — © Borns
I really like intimate venues because it feels like everyone in the audience is in on all our inside jokes.
I really like intimate venues because it feels like everyone in the audience is in on all our inside jokes. We could say things and people will catch them. That couldn't happen at a festival because nobody would catch it. I also like that in a smaller space people can be talking to each other and listening to the music; they don't have to be watching you the whole time.
Americans are opting out of public venues like the playground and the sidewalk for private venues like the healthclub and the mall. We're living our lives inside one form of corporation or another.
I really like to do small venues. They're more intimate.
I have to visualise my jokes, live my jokes, feel the audience because every audience is different. It's like having a different dancing partner every night.
There's something about small venues that's amazing for developing material. It's almost like you can not only hear people's response, but you can understand it. In bigger venues you lose that, but you gain this sense of camaraderie in the audience.
I prefer to play in smaller venues because I like the intimacy, the connection with the audience.
But I do like churches. The way it feels inside. It feels good when you just sit there, like you're in a forest and everything's really quiet, expect there's still this sound you can't hear.
I think there is much more storytelling in stand-up now. Less emphasis on the joke. Jokes are still important, but it feels like a more intimate and personal experience these days.
Everyone feels awkward, everyone feels uncomfortable, everyone gets older, everyone gets lonely, everyone gets sick, everyone eventually dies. You’re at the Aspen Ideas Fest, and you have these really smart, really accomplished people who pretend like they’ve somehow figured out a way to bypass the human condition. We live in this culture where there are so many things that want us to pretend that we’re not truly human.
For me, every time I step on the stage it feels like a battle is about to start. It's not like we're going on stage to fight against our audience obviously, because for me, when I go on stage, I'm always trying to reach a new level of how am I going to make today a great night for everyone that's present.
I like proper jokes. I don't like people who get applause because the audience agree with them.
On 'Late Night,' it's like we're all in on the joke. That's what I wanted it to be. I'm not doing something sneaky. Inside jokes, I don't like those. We can all ride together, and everyone's on the same thing going, 'Aha, I know where you're going here.'
Of course, I love the arenas; there's a great deal of energy and excitement playing those kind of shows. But there's something that's very intimate and very special about a small venue, where you really feel like you're almost getting to know everyone in the audience.
As much as only playing clubs can become tedious, performing in huge venues can also become off-putting. To go from one to the other feels great. And sometimes playing clubs can be even more stressful, because you really have to think about what you're going to tell the audience between songs.
I don't tend to like race jokes. I don't like Jew jokes and black jokes, and they make me very uncomfortable, probably because I'm both. Well, I'm not black - but if I was then I could dance better.
Our characters act silly, even totally ridiculous at times, and most of our jokes don't come out of pop cultural references. It seems like we're aiming at a child audience, but everyone can laugh at the basic human traits that are funny. It's playful, the humor is playful, the world is playful. You can kind of let go.
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