A Quote by Bowen Yang
My dad every now and then will toe that line and be like, You could try women!' And I'm like Don't. It's almost an endearing kind of homophobia, if such a thing exists.
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When I did 'Mimic,' it was such a difficult experience to try to make. Believe it or not, I did try to make a really adult giant bug movie. And then, in the course of the process, it kind of died a horrible death and gave birth to the movie that exists now, which now, in retrospect, I like. But it's not the movie I set out to do.
Every single line, every single thing has to be fought over. There's kind of like an intrinsic doubt from absolutely everyone in my crew, my producer, everyone. It's not just the film industry - it's a worldwide thing. It's the culture of the world to doubt women.
I lived in Hollywood and, ironically, I didn't know you could just go out and get an agent and go on auditions and try and become an actor, I thought it was like a Masonic thing, like a blood line you had to belong to – until I was 13. Then I realised what you had to do. It is the one thing I know I want to do for the rest of my life.
I like to work out. I like a routine. I'm kind of simple. I eat almost the same thing every day. I like Caesar salad.
When I first started looking at Twitter, I followed people like Steve Martin, who will just write the funniest non sequiturs now and then, which I thought was really fun. That's kind of the road I've taken. Every now and then, something comes into your mind and you put it out there. It's very innocuous. I think it's kind of fun.
Whenever my parents got married, my dad had a mullet. Me and my dad are very similar-type people with the way we look and the way we act, and I figured if he could get away with it when he was around 25, then I could try to do the same thing.
Things like rhyming - it just wasn't falling out of my head that way. So I started to get quite freaked out that I just couldn't write anymore. And then I just kind of went with it, and thought that, "This is the way that my brain's working," in a more direct way, then I should just try it like that for this album. And follow it. Just went with the writer's block, almost - it's a strange thing.
Dawes kind of, on purpose, were like, "Let's realize that we're going to make less money, but let's try to get as many fans from as many kind of demographics as we can." And I feel really lucky that our music exists in this world where we can open for artists like M. Ward or Bright Eyes, and then on the same side of that open for Alison Krauss.
Love will push every button, try every faith, challenge every strength, trigger every weakness, mock every value, and then leave you there to die. And then you will be ready to be born at last, to become a soul who is strong enough to take love on. You'll be a romantic mystic who has achieved the elements: you endured the flames of love, you were baptized in the waters of love, and now you can soar like only a mystic can through the skies and skin of a lover's heart.
My whole thing is simple, well-balanced meals. I have to say, though, that I really like dessert. I try not to eat dessert every day, but I'll have dessert every now and then.
Then he felt remorseful, which was so unlike him and endearing that I almost changed my mind and said yes. But then I imagined a lifetime of having to cry to get him to be kind, and I went back to no again.
I try to follow my instinct as a moviegoer and I do the thing I would love to see it at a movie. I'm like everyone, almost, I go to a movie once a week. I like every kind of film if it’s well made. I’m fine. I’m not a specialist fighting for a genre of film. You just have to follow your instinct.
And then the line was quite but not dead. I almost felt like he was there in my room with me, but in a way it was better, like I was not in my room and he was not in his, but instead we were together in some invisible and tenuous third space that could only be visited on the phone.
There's a nastiness out there that wants to harm me with words. These are my enemies - the ideologues, the populists, the columnists who don't like the fact that I take them on toe-to-toe. What I try to do is tell the truth. It's not the coin of the realm in politics.
I always believe that every song tells a story, so the last thing I want to do is edit out like the meat of the story. I would pick songs based off a), whether I felt like I could do anything with them, and b) whether I felt like I could keep the story intact. And then you sit in with one of the piano players and one of the vocal coaches and kind of work out your arrangements that way.
The thing with 'Pippin' is not to over think it too much. If you try and overthink or plan and over-analyze - it's like with any role really, but this one specifically - you can run into sogging wet newspaper. It's just too exciting to do that. It's nice to be bounced around and surprised at almost every line that comes out of your mouth.
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