Only sometimes I try to think about it in context. When I think about the context of, "Oh, I'm this or that," in this society, that's one of the terms.
Life proceeds out of your intention. Your true intention is revealed by your actions, and your actions are determined by your true intention. As with everything in life (and life itself), it is a circle.
I am a person who lives my life based on intention. I don't do anything without intention because intention determines the outcome of your life. It's like cause and effect.
Everybody is talking about synergies. You've got to take out every cost you possibly can. You have to position yourself as your services change.You have to think about in five years from now what is going to happen technologically to you. And then you do have to think about M&A or your balance sheet, and you have to think about everything in the context of, "Am I prepared to meet that challenge?".
Intention is the core of all conscious life. Conscious intention colors and moves everything.
We are the only living creatures who can create a context, and as far as we know, everything else can only follow a context, without recognizing the context as such. Herein lies the source of creativity and the genuinely new.
It's our intention. Our intention is everything. Nothing happens on this planet without it. Not one single thing has ever been accomplished without intention.
The most important thing, to me is the intention of where things come from, like, why did you use it? What were the intentions of what you did? And if the intention is good, the intention is pure, then everything will turn out good.
There is a lot of stuff I write that makes it seem like my intention is to make people think I'm speaking about myself entirely, and it is my intention to make people think that, but that doesn't necessarily mean that's what it is.
I enjoyed studying costume, learning about the corsetry and the historical context of fashion. I never had any real intention of being a costume designer.
You can publish a poem you think is a very important poem, and you don't hear a word from anyone. [...] You can publish a book of poetry by dropping it off a cliff and waiting to hear an echo. Quite often, you'll never hear a thing. So doing that, using older work, puts it in a context, and that sort of forces the reader to realize what its importance is-if it has any. Everything needs a context. You're not going to recognize a poet unless you have a context.
I don't worry too much about learning lines per se. The memorization is the easy part for me, usually. For me, it's more about working on the context, back story, intention, motivation, etc. Once that's in place, the lines come pretty naturally.
No word is absolutely wrong or dirty or insulting. It all depends upon context and intention.
If they prescribe pain killers that may increase the possibility of death so long as their specific intention was not to end life." "Doctors should do everything they can to reduce pain, but not to administer drugs to end life, I think we go over a line then.
I think you can talk about anything if the context is correctly arranged. If you set up the context and you bring the audience along carefully enough with you, you can get them to cross the line with you. What I try to do is talk about things that bother me, and I hope that in doing so I bother other people.
I feel like we're so limited by the context at which we look at life. The way we look at who we're supposed to be and how we're supposed to love... everything. I feel like that, in and of itself, is a project of a lifetime: the problem of how to break out of the limiting context that is imposed upon us by the educational system, by the church, by our parents... As a kid I rejected it without even thinking about it. Now that I'm a little older, I see how deeply destructive it really is.