A Quote by Boy George

After half an hour the drug hit me like a sensuous tidal wave.  I turned into a tactile temptress and wanted to stroke the whole world.  It gave me untold confidence. — © Boy George
After half an hour the drug hit me like a sensuous tidal wave. I turned into a tactile temptress and wanted to stroke the whole world. It gave me untold confidence.
Daddy gave me real useful information to protect me in the real world. If anyone hits me, I'm not to hit them back. I wait until their back is turned, then hit them in the head with a brick.
I have a half an hour warm-up I do that my voice teacher gave me. I exercise at least for an hour during the day. I don't have any superstitious rituals or anything like that.
The spoken discourse may roll on strongly as the great tidal wave; but, like the wave, it dies at last feebly on the sands. It is heard by few, remembered by still fewer, and fades away, like an echo in the mountains, leaving no token of power. It is the written human speech, that gave power and permanence to human thought.
I'm tactile, very tactile. A woman who has really nice, looked-after skin is such a turn-on for me. It's always sexy.
Love comes into your being like a tidal wave ... sometimes it withdraws like a wave, till there isn't such a thing as a pool left, and every bit of your heart is as dry as seaweed beyond the wave's reach.
I'm a champion napper. For the past decade, I've taken a nap at lunch on set. I have a noise machine app on my phone, headphones - and that's key. That's probably the most important thing. If I can get an eye mask on, that's great. And that's it. After a half an hour, I'm like a new person. It's just in that first half an hour, don't talk to me.
The break for me was the Medicare drug benefit in 2003. It's just grossly expensive, bad policy. After that, I no longer gave them the benefit of the doubt and started seeing the glass as half-empty.
A bright light filled the plane. The first shock-wave hit us. We were eleven and a half miles slant range from the atomic explosion but the whole airplane cracked and crinkled from the blast... We turned back to look at Hiroshima. The city was hidden by that awful cloud... mushrooming, terrible and incredibly tall.
For me, being onstage for an hour and a half, my confidence was really huge for me. Doing eight shows a week for a run, I was like: "I'm actually doing this." And now I feel more confident going into something.
The great thing in hitting is, not to be half-hearted about it; but when you make up your mind to hit, to do it as if the whole match depended upon that particular stroke.
Whatever it takes to get the image to reach that level is what that photographer needs to do. And for me, I just have such a love of the tactile and sensuous quality of a black and white silver gelatin print.
As I've gotten older, now I've really got to back that up with record sales. Anytime showed me that I could still have some of those elements I wanted, but you still have to come with hit after hit after hit.
I wanted to lie hour after hour on a couch, pouring out the dark, secret places of my heart--do this feeling that over my shoulder sat humanity and wisdom and generosity, a munificent heart--do this until that incredibly lovely day when the great man would say to me, his voice grave and dramatic with discovery: "This is you, Exley. Rise and go back into the world a whole man.
I turned in a script that meant a lot to me and an executive at Warner Bros said he was disappointed in me. I took a hit of confidence and stepped away from film-making for some time.
Sometimes [high school speech team] was funny, other times it was just talking, but it gave me the confidence to speak in front of people after doing that for a whole year.
I was cast in this commercial called "Hour After Hour." It was for a deodorant that won't wear off. And [Susan Sarandon] became the Hour After Hour girl after me. But I never met her. So I didn't really know Susan till after this movie [ "The Big Wedding"].
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