A Quote by Boy George
I think drugs played a big role in the Taboo scene. People were taking copious amounts of ecstasy, which had filtered over from New York, and at a certain point you were more likely to spend most of the night in the toilets at the club.
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When we were starting out as a band in New York, we played a concert at a small club early on and asked Lady Gaga to open for us. We were big fans, and she had the same kind of approach to music as we did: not taking everything so seriously and just having fun.
New York had a big influence on me growing up, and I was really part of the club scene - the Mudd Club and Studio 54. When you're living in New York, you are just bombarded with style, trying to figure out how to be cool and how to feel relaxed at the same time.
There was a point at which I thought I'd never get the most valuable player, especially the years I played at Minnesota. We never won a pennant there, we were far away from the big media centers of Los Angeles and New York, and I wasn't a flashy power hitter but a guy who hit to spots, who bunted and stole bases.
If you take a movie like Easy Rider which everyone counts as the beginning of New Hollywood, that is a big movement. And then, when you really dissect that film and the people that were behind that movie, you realize that it has Roger Corman written all over it. Easy Rider is a hybrid film, taking The Trip and The Wild Angels and making a new explosion. And the people that were making it, guess what, they were all [people who had worked with Roger Corman].
I wasn't part of the Taboo crowd the same way I was part of the New Romantics. I suppose I was seen more as an elder statesman because I had been around the London club scene for so many years. To the Taboo crowd I was really seen as a pop star, someone famous.
A lot of the reason I left New York, in addition to being so broke, was that I just felt I was becoming provincial in that way that only New Yorkers are. My points of reference were really insular. They were insular in that fantastic New York way, but they didn't go much beyond that. I didn't have any sense of class and geography, because the economy of New York is so specific. So I definitely had access and exposure to a huge variety of people that I wouldn't have had if I'd stayed in New York - much more so in Nebraska even than in L.A.
How is it possible that in just the last ten years all of these things which were taboo throughout our culture, throughout the culture, things that were taboo are now not only normal but celebrated, and people who were not really supportive of them are called kooks and the new weirdos?
Feeling is taboo, especially in New York. I read in some little magazine the other day that The New Yorker and The New York Times were sclerotic, meaning, "completely turned to rock." The critics here are that way.
I think most people played both variants and regular games. It was a period when variants were very popular and there were a lot more variants being played at that time. Every week practically, it seemed someone would publish a new variant in a zine.
People were actually 6 times more likely to buy a jar of jam if they had encountered 6 than if they encountered 24, so what we learned from this study was that while people were more attracted to having more options, that's what sort of got them in the door or got them to think about jam, when it came to choosing time they were actually less likely to make a choice if they had more to choose from than if they had fewer to choose from.
The New York Dolls did not think of themselves as punk rock. There was no such term at the time. They were just another band in what was called the New York scene.
We were going to do 'Reno 911!: New York, New York, Las Vegas,' which was like a 'Die Hard' set not in New York, but in the New York, New York casino in Las Vegas. We were really excited about being locked into the one casino and doing a bad action movie.
What kind of motivated me to join the Black Panther Party was that I, along with some of the comrades that I was working with in New York, had heard about the Black Panther Party, and they were doing things that we wanted to do in New York, and we thought that would be a better vehicle than the vehicle that we had going on in New York. They were better organized, and they already had their Ten-Point Platform and Program, and people already heard about them. So we decided that we would join the party, when given a chance.
To some extent at that time, we injected rock and roll into that scene- we played loud and that was a huge turning point for that scene. We were involved in playing with all those people.
In America, people of a certain age ask, 'Where were you when Kennedy was shot?' In my house you were more likely to be asked, 'Where were you when you first read 'The Catcher In The Rye?
In America, people of a certain age ask, 'Where were you when Kennedy was shot?' In my house you were more likely to be asked, 'Where were you when you first read 'The Catcher In The Rye?'
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