A Quote by Boy George

The most significant New York club for me was Paradise Garage, where they played house music. This was around '84 or '85. — © Boy George
The most significant New York club for me was Paradise Garage, where they played house music. This was around '84 or '85.
The most significant bands I played in when I first got to New York were Bobby Watson's band, Roy Hargrove's first band, Benny Golson's band, Benny Green's trio, and probably the most significant out of all of those, for me personally, was playing in Freddie Hubbard's band.
Actually, there was another band where we were three girls, around '84 when I met John Zorn, called Sunset Chorus. It was just bass and drums and guitar- we didn't make any records but we played a lot of different clubs in New York.
I used to do this one club called New York Sound Factory where I played house, hip-hop, and dancehall. I was one of the first DJs in the South to play everything.
In the neighborhood that I grew up in - in New York on Long Island - there were a lot of musicians. For some reason, that time in history in our town in New York, everybody played. So it was all around me.
I had a friend write me that our music was being played at Gay Pride in New York, which is a big compliment. In the biggest city in the country with the most culture and the most grit - I love it.
When I was a kid, I was into hardcore music. The scene in New York was tiny. Every person hanging out was in a band and played at the A7 Club. There was not much rehearsing or anything. Just doing.
When I was in New York, I was making a living. We had a summer house and a car that I could put in a garage. That's something for a stage actor.
New York had a big influence on me growing up, and I was really part of the club scene - the Mudd Club and Studio 54. When you're living in New York, you are just bombarded with style, trying to figure out how to be cool and how to feel relaxed at the same time.
As far as my New York influence, one thing I'm proud of in my career is, I rep Brooklyn, New York all day. But people don't look at my music as New York music. People consider my music underground music.
I found a 1992 New York Times article:Bill Clinton playing golf at a club that he played at all of his adult life as governor, that didn't allow black membership! I guarantee most Americans don't know that.
I think L.A. has one of the most innovative and forward-thinking jazz scenes in the world. New York definitely has the volume - there's more music happening in New York than anywhere else. But to me, L.A. - it's kind of a gift and a curse.
I picked up the guitar at 12 yrs old - basically, my mother and father bought it for me for Christmas. I played one at my friend's house; when I say played it, I just played around with it at my friend's house. It just struck me as something I really wanted.
My mom used to play, so she had rackets around the house. We hit on the garage door for a little while, and then she got mad, so we went to a local racket club and took lessons.
My house was filled with music. We had a piano, and my brothers and sisters played instruments. Even though I was around it, I played basketball.
I have new music coming out. I'm working on some television shows. I still do a tremendous amount of concerts. I'm doing my restaurant. I got a club coming in New York. The restaurant is called Doug E. The club is called Fresh.
Atlanta is down south, the club. So the most thing played down there is club music. Everybody wants a hit.
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