I had a weird, empty feeling inside me. Not a bad sort of empty. It was a sort of lack of sensation, like being in pain for a long time and then suddenly realizing that you're not anymore. It was the feeling of having risked everything to be here with a boy and then realizing that he was exactly what I wanted. Being a picture and then finding I was really a puzzle piece, once I found the piece that was supposed to fit beside me.
Fred, you next," the plump woman said. "I'm not Fred, I'm George," said the boy. "Honestly, woman, you call yourself our mother? Can't you tell I'm George?" "Sorry, George, dear." "Only joking, I am Fred," said the boy and off he went.
And there's a cop over there." "What?" the boy said, glancing at the D.C. police officer that stood at the corner of the street, "You think that guys can do a better job protecting you than I can?" Actually, I thought Liz could have done a better job "protecting" me than he could, but instead I said, "No, I think if you don't leave me alone, I can scream and that cop will arrest you." Somehow the boy seemed to know it was a joke.
Boy George has been charged with falsely imprisoning a man who'd gone to his apartment to pose for photographs. Going to Boy George's house to get your picture taken is like going to David Copperfield's island for a radio opportunity.
I think, in the past, being brave - being powerful, being strong - were qualities that people associated with being masculine. And I think... no, I don't think - I know that now we're realizing they can be feminine, too.
I think that's my job to be a little nasty - to bring that energy, protect the paint and really just protect our guys. That's the role of a big man. It's not cute; it's not pretty being a big. You have to come in and do the little things, do the dirty work.
I think that President George W. Bush was ahead of most of his government, in realizing that Putin was not the person we thought he was.
'Bellyache' is totally fictional. I like writing about things that aren't real. The song is about not trusting anyone and then putting trust in yourself and realizing that you don't know what you are doing, either. Or realizing that things you do with a group of people that you think are cool in the moment are ultimately all on you.
By understanding how all things arise together, you shift from viewing yourself as acting upon and realizing all things, to a new vision of seeing all things coming forth and realizing you.
Until I was about 14, I was a fat boy, or at least I looked like a fat boy. I think that being funny was a bit of a defence mechanism for me, so I ended up being a bit of a joker.
I was playing with George Harrison one time, and George loves takes. This song was up to Take 160. I said, 'George, do you want me to play the same thing or 160 different things?' It drove me crazy because, in general, I'm ready to play my part.
My dad and grandpa were big golfers, and I think any boy wants to be like their dad. So growing up around him being at the golf course, it was an easy choice for me.
I'm a guy desperately in need of buffers. I have big feelings, big reactions, big emotions. All the things that serve me as an artist, but challenge me as a socially-responsible human being.
We are in a results business, so Stuart Pearce being a jolly old boy won't keep me in a job.
Being able to step away from your work is big. Not even the actual work of sitting down and looking at game tape, but actually putting your job aside and focusing on other things. That's a big part of being successful in this league.
You have to understand, now, I'm a momma's boy. I'm from the south. My way of being raised is totally different than the big city life. I truly was a country boy.