A Quote by Boy George
The Taboo crowd was certainly less precious. They were happy to end up in a pile of vomit and booze at the end of the night. It was antifashion, in a sense. They were just as obsessive as the New -Romantics but they acted like they didn't care.
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I wasn't part of the Taboo crowd the same way I was part of the New Romantics. I suppose I was seen more as an elder statesman because I had been around the London club scene for so many years. To the Taboo crowd I was really seen as a pop star, someone famous.
The Taboo scene was a kind of deconstructed version of the New Romantics. The Taboo crowd was using a lot of the visual ideas that had already been used. I remember the first time I spotted Leigh Bowery and Trojan parading around in clubs: They were in their "Pakis from Outer Space" look, and the makeup was quite similar to one of my old looks, because I was quite fond of wearing blue, green, or yellow foundation, and so I was pretty dismissive of them at first.
In the end, punk inevitably burned itself out and acted as a bridge across which the New Romantics could sashay in their chiffon and glossy hair.
If the cells and fibres in one human brain were all stretched out end to end, they would certainly reach to the moon and back. Yet the fact that they are not arranged end to end enabled man to go there himself. The astonishing tangle within our heads makes us what we are.
It was as if this night were only one of thousands of nights, world without end, night curving into night to make a great arching line of which I couldn’t see the end, a night in which I roamed alone under cold, mindless stars.
How is it possible that in just the last ten years all of these things which were taboo throughout our culture, throughout the culture, things that were taboo are now not only normal but celebrated, and people who were not really supportive of them are called kooks and the new weirdos?
I remember when I was at the first showing of 'John Dies at the End' at Sundance, and I was talking to some of the people in the standby crowd who were outside and didn't have tickets. They were just waiting in line to see if they could get in. It was this whole gang of die-hard sci-fi wacko people, and they were just fantastic.
The nice thing about a series is you can end on cliffhangers all the time. You can be like, 'You know what? Here we go, this person just died, end of book.' And with the end of the series, you're very conscious of all the plotlines that were left hanging. There's a balance there to wrap those up but still leave it exciting.
No one was ever good enough for anybody's precious sons. No one ever called daughters precious, and why was that? Things had not changed very much. In the end women like Emily and Ingrid and Freya and Joanna only had one another to lean on. The men were wonderful when they were around, but their fires burned too bright, they lived too close to the sun - look what happened to her boy, and to her man. Gone. Women only had one another in the end.
The first time it was reported that our friends were being butchered there was a cry of horror. Then a hundred were butchered. But when a thousand were butchered and there was no end to the butchery, a blanket of silence spread. When evil-doing comes like falling rain, nobody calls out "stop!" When crimes begin to pile up they become invisible. When sufferings become unendurable the cries are no longer heard. The cries, too, fall like rain in summer.
I'm not a big fan of introducing a bunch of new mysteries into a story without really knowing where they're going because you just end up struggling at the end to make sense of them and make it all seem like you planned it all along.
Some street jokes are just timeless. There's an old street joke about comedians. The joke is that a beautiful girl comes up to a comedian at the end of the night and says, "I saw your show tonight, and I just loved it. I want to go home with you, and I'll do anything you want." And the comedian says, "Were you at the 7 or the 9?" That's just a perfect joke, because it points out how egomaniacal and obsessive comedians are. Even though I'm not waiting for a groupie, I can completely understand it. It just defines how comedians are driven.
If you decide to just go with the flow, you'll end up where the flow goes, which is usually downhill, often leading to a big pile of sludge and a life of unhappiness. You'll end up doing what everyone else is doing.
I think drugs played a big role in the Taboo scene. People were taking copious amounts of ecstasy, which had filtered over from New York, and at a certain point you were more likely to spend most of the night in the toilets at the club.
You may not always end up where you thought you were going, But you will always end up where you were meant to be.
When a friend of mine introduced me to the music of Luca C & Brigante I was stuck with an apocalyptic feeling, as if I were listening to the sound of a party at the end of the world. And with such strong imagery coming to mind I was only too happy to write with them when they asked. Flash of Light is about that last night on earth, a forewarning of the end of an era and a last chance to Love.
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