A Quote by Boy George
People in Scunthorpe don't care what I say. And I'm not camp, either. I'm a geezer. I'm not a raving queer, I've got a bit of character. I just ignore people who shout at me in the street. I just stick my head in the air; I'm not interested.
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I don't care if you hate me or if you like me, as long as somebody gives me a character that is really a character to play. It's fun to be able to have a character and have a director that can direct you into a character. I'm just so happy that I got a good role. I don't care if it's bad or if it's good, and I don't care if it's drama or comedy. They are just so rare to come across.
People were stopping me on the street to say, 'Oh my God, it's Crazy Eyes!' Which is kind of a funny thing to have people shout at you on the street.
I don't like to be noticed. The older I've got, the more reclusive I've become. I've got late-onset shyness. People are lovely. When they see me in the street, they don't ask for anything from me. They just say: 'I thought it was you, and I just wanted to say how much I enjoy your books,' but I can't seem to cope with it anymore.
I am pansexual as I actually remember also being attracted to women as well and thinking that maybe this like, thing where I was attracted to men was just like some weird phase or if it was something I could just ignore. My mom is queer and I have a queer uncle. So, I wasn't completely, you know, shielded from queer representation.
I've always been a bit scared to say that I'm Scottish because it's almost as if people wouldn't believe me or people wouldn't buy that from me, or people wouldn't accept it. And so now I think nobody has got the right to tell you what you are. You just are who you are.
People don't stop me on the street and throw things at me. But I'm aware of what that dynamic is, so whenever people react strongly to a character and say that they hate me, I take it as a job well done. And for most people, there's a sense of removal. Most people are not saying, "Oh, my god, I hate you!" Most people that have reactions say, "I love to hate your character."
I'd love to play a gangster but I think people might say I looked a bit too young and cheeky to play a character who'd just blown someones head off!
I was 19 years when I got into acting training classes at a TV station and then I found a way to express my feelings. My father left us when I was a kid and I just shut down all of my emotions. I wasn't talkative; I didn't know how to communicate with people. I tried to separate from people. After I got into the classes I found a way of expressing myself through characters. I can cry behind a character, I can shout behind a character and it became a relief. And it's fun.
To me, the Northwest is the best. The air, it feels cleaner. The people are so nice and caring. Every time I fly in on a plane, I say, 'I'm never leaving here.' It's just different. People who aren't from here don't get it. It just fits certain people.
I tell cold callers I'm very interested but a bit deaf, my hearing aid is not working properly and can they speak up. The idea is to deliberately miss-hear what they say, ask them to repeat, only louder, and see how loud I can get them to shout. After a while I say "I'm not really deaf" and was just wasting their time, as they were doing with me.
There was all this loneliness in my cartoons and people would say, "Gee, these characters are so lonely, disconnected, depressed." And I'd say, 'Yeah well, that's not me. I'm just interested in that because I think it makes a funny drawing.' But later I understood it was me in many respects; my hand was doing it ahead of the head's understanding.
My sister can walk down the street and just know what's going on with people. She'll say, 'Oh, they're going through a divorce' or, 'Their kid just went off to college' or, 'He just got a great job.'
I'm just kind of interested in focusing on what I'm interested in and just kind of solidifying it, or at least experimenting, or actualizing some of the experiments that I've had in my head for years, either filmicly or with audio.
I watch the people I hang around, 'cause if you hangin' with people who still got their foot in the street, that really involves you as well. It's definitely all about the company I keep. If you don't want anything to do with the streets or whatever, but you got everybody around you in the street, you just as much a part of it as they are. A lot of times it's very hard; you gotta straight cut off people, you know what I mean? If it ain't good for you, you just gotta turn your back to it.
A lot of different people under the queer umbrella come together but Like there's something inherently queer about the heist genre, in some way. It's about just flying under the radar and procuring something furtively or, you know, that thing that is just so fun and high-stakes in the way that a lot of queer experiences are.
I've had a couple of people come up to me after screenings and say they kind of sympathized with the character. I always get a kick out of it when people say that. It means I did something maybe a little bit to the credit of the character.
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