A Quote by Boy George
If you listen to the radio, and something beats you into surrender, like 'REO Speedwagon', and you really hate them, there's 'You Can Go Your Own Way' in your ear all day, and that's what makes a good song.
Related Quotes
And then, one day, they program a new tune, and it really catches your ear, you know, because you can be doing the washing up or something, you know, in your apartment and suddenly you go, whoa, what are they playing in there? And you run to the wall, but it's finished - but the song's finished. You only heard enough of it just the pique your interest. And you never know when they're going to play it again, of course, like a normal radio station.
If you really want a radio station to play your song, go to that radio station every day with that song in your hand and say, 'Please play it.'
It's not good to assume what your kid wants. It's not good to push them in their own way. It's not good to make them do something you wanted to do but didn't have the chance to. You should listen to what your kids are saying, and let them live, and let them be themselves.
My older brother was into Creedence Clearwater Revival and ZZ Top, and my sister was into pop radio. So somewhere along the line, I got into Ozzy Osbourne, REO Speedwagon, Heart, Pat Benetar, Journey.
I would say a great song [is where] you like everything in the song. The lyrics move you, the beat makes you want to dance and you feel invincible when you listen to that song. A good song I think you can listen to but you get tired of it really fast.
When you use a sample in a big way, when you loop something in the way I did with 'Runaround Sue,' it's like you have your chords and your melody and the quality of the song right there before you add your own production. It's like the song is already made, in a sense.
Not that anyone minds--no one's paying attention to the music. Most of them never really listen to music. Practically no one actually does. Even at concerts people pay good money for, instead of a three-dollar cover charge, they talk through the whole thing. I feel sorry for them, since none of them understand what it's like to have a song just get into your soul and become your whole world. They don't know what it's like when a song changes your life.
I love listening to Radio Head's 'Everything in its Right Place' because it's all major chords, it makes you feel really good. It's soothing, it's got a beautiful voice, crazy textures. When I'm down I listen to that song and it really makes me feel good.
I hate the way you talk to me, and the way you cut your hair. I hate the way you drive my car. I hate it when you stare. I hate your big dumb combat boots, and the way you read my mind. I hate you so much it makes me sick; it even makes me rhyme. I hate it, I hate the way you're always right. I hate it when you lie. I hate it when you make me laugh, even worse when you make me cry. I hate it when you're not around, and the fact that you didn't call. But mostly I hate the way I don't hate you. Not even close, not even a little bit, not even at all.
There's a little thing on your shoulder called intuition and it whispers in your ear. Everyone has that, there is a voice telling you to do something. Most people ignore it - but you must listen to it. I do it every day, all day.
I have always tended toward extremism: I'm Motorhead rather than REO Speedwagon.
When you're listening to the radio, you're hearing dance beats, all the bells and whistles, and 'Say Something' makes you quiet and forces you to listen.
You find photographs in so many different ways - from chance encounters, from looking at your negatives, from the way the light hits your pillow in your home, from a sound or a movement that makes you look... It’s whatever draws you or makes you feel something. Then, the picture is only good if it has a life of its own. Every photo is almost a fiction or a dream. If it’s really good, it’s another form of life.
If you're really going to uncover something as an artist, you're going to come into access with parts of your personality and your psyche that are really uncomfortable to face: your own ambition, your own greed, your own avarice, your own jealousies, and anything that would get in the way of the purity of your own artistic voice.
If you want to play something that you hear, you need to listen with your mind's eye. You've heard of the mind's eye, right? Your mind has an ear too. It's a kind of listening, but it's not using your ears to listen. It's listening with your inner ear, and that's what you want to translate onto the guitar.
I wrote 'Turn Your Radio On' in 1937, and it was published in 1938. At this time radio was relatively new to the rural people, especially gospel music programs. I had become alert to the necessity of creating song titles, themes, and plots, and frequently people would call me and say, 'Turn your radio on, Albert, they're singing one of your songs on such-and-such a station.' It finally dawned on me to use their quote, 'Turn your radio on,' as a theme for a religious originated song, and this was the beginning of 'Turn Your Radio On' as we know it.
Related Authors
Ani DiFranco Quotes
American
Musician
Bob Dylan Quotes
American
Musician
Brian Eno Quotes
British
Musician
Bruce Springsteen Quotes
American
Musician
David Bowie Quotes
English
Musician
Drake Quotes
Canadian
Musician
Elton John Quotes
English
Musician
George Harrison Quotes
British
Musician
Henry Rollins Quotes
American
Musician
John Lennon Quotes
English
Musician
Madonna Ciccone Quotes
American
Musician
Moby Quotes
American
Musician
Nicki Minaj Quotes
American
Musician
Patti Smith Quotes
American
Musician
Thom Yorke Quotes
English
Musician
Tori Amos Quotes
American
Musician