A Quote by Boyan Slat
There's no better feeling than having an idea and seeing it become reality, emerging in the physical world.
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We're not in the physical world. The physical world is in us. We create the physical world when we perceive it, when we observe it. And also we create this experience in our imagination. And when I say "we," I don't mean the physical body or the brain, but a deeper domain of consciousness which conceives, governs, constructs and actually becomes everything that we call physical reality.
Ideas are nothing. They're irrelevant. If you think your idea is so important, you're doomed. The reality is if you don't like one idea, I've got 299 more. If I tell you my idea, and you can execute better against that idea than I can - great; I get to play a terrific game.
Sometimes I wonder if I'm doing everyone a disservice by perpetuating the idea that beautiful is better than plain, because having done everything just about that you can do, sparing no expense, and not effort, to become better looking, I know that only so much can be done.
The musicals had a good, happy feeling, saying that the world is a better place. They say it's not reality, but who cares? There's too much reality these days.
To chart a course, one must have a direction. In reality, the eye is no better than the philosophy behind it. The photographer creates, evolves a better, a more selective, more acute seeing eye by looking ever more sharply at what is going on in the world.
We open our eyes and we think we're seeing the whole world out there. But what has become clear—and really just in the last few centuries—is that when you look at the electro-magnetic spectrum we are seeing less than 1/10 Billionth of the information that's riding on there. So we call that visible light. But everything else passing through our bodies is completely invisible to us. Even though we accept the reality that's presented to us, we're really only seeing a little window of what's happening.
In a photograph, if I am able to evoke not alone a feeling of the reality of the surface physical world but also a feeling of the reality of existence that lies mysteriously and invisibly beneath its surface, I feel I have succeeded. At their best, photographs as symbols not only serve to help illuminate some of the darkness of the unknown, they also serve to lessen the fears that too often accompany the journeys from the known to the unknown.
There is no better feeling in the universe, other than being married and having a family, than standing on stage behind a piano and having 5,000 people waving at you. You cannot bottle that.
Only the emerging specialty of psychoanalysis seemed to understand that mental maladies are not fully analogous to physical disease. They resist classification, and might better be known by their symptoms and the individualized sufferings of patients than by assigned names.
Much better than the feeling of having things is the feeling of having earned things.
A few years ago the idea that extreme poverty was harmful was on the fringes of the economic and political debate. But having made the case we are now seeing an emerging consensus among business leaders, economic leaders, political leaders and even faith leaders.
I believe that we cannot live better than in seeking to become better, nor more agreeably than having a clear conscience.
Canada now calls itself an 'emerging energy superpower.' In reality, it is nothing more than a Third World energy supermarket.
I love the idea of making drawings and seeing them become real. It's really like heaven to be able to draw something and then see it as a reality, even strange moments such as fire.
I could feel myself changing physically. It was like something dropped out of the sky. Seeing her on the fire escape had given me a certain feeling, and then when I saw the photograph of her, it gave me a similar feeling. And I thought that was an incredibly powerful thing - that a photograph could give you a feeling that was similar to a feeling you had in the physical world. Nobody could've told me that. I knew what I was going to do for the rest of my life.
At one point I felt a tension between objects, their real, physical lives, and the idea of meaning: the physical, material reality of a book, and the totally intangible experience of reading it.
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