A Quote by Boz Scaggs

My parents were music lovers and collectors. It was around. — © Boz Scaggs
My parents were music lovers and collectors. It was around.
One of the things that was a blessing for me is my parents were music lovers. Neither of my parents played an instrument, but they were avid record buyers. And I grew up at every age listening to all kinds of music.
My parents were very musical in the sense that they were, you know, music lovers and avid buyers of records, but none of them actually play an instrument.
I don't compose songs to showcase my proficiency in music or to please hard-core music lovers. The basic criterion is that my work should reach all sections of music lovers.
My parents are both music lovers; they are not musicians.
Many artists and critics see collectors like kids see their parents: as the ones with money and power who just don't get it. Once they start to mingle with the collectors and learn that they are people who have achieved something who then expand into art, they change their minds.
Both of my parents were super music lovers when I was growing up - they had a massive record and tape collection. I think my dad even had a couple of laser discs, but that was a short-lived thing.
I guess I wanted to emulate the artists that my parents were listening to when I was growing up. I've always had this affinity for folk music, and music in general, for as long as I can remember. So as soon as I could start playing shows, I did. And my parents were really supportive of me the entire time.
In Paris, you couldn't really turn around without seeing the result of lovers' bad decisions. An artist given to sexual excess was almost a cliché, but no one seemed to mind. As long as you were making something good or interesting or sensational, you could have as many lovers as you wanted and ruin them all.
I'm so jealous of my friends who came from these super musical households where they were learning piano at three years old. My parents didn't really play loads of music around the house. We had the radio, but they weren't teaching me about music.
We were kids that didn't have any education. None of our parents were in the music business or even college graduates. We didn't have someone guiding us. We were just uneducated kids from the middle of nowhere that suddenly had a band going around the world.
When I was young, we were quite strongly discouraged from listening to pop music. It was an uncomfortable thing, pop music; I think my parents felt threatened by it. They were always happy when they were listening to Mozart, so if your parents are happy, then you're happy.
I imagine witches to be people who sit around like my witty grandmother, people who are injustice collectors or humiliation collectors. I choose to imagine that's what a witch is. The reason witches are so evil is because they're so unhappy and so hurt.
I was around nine when a babysitter snuck 'Who's Next' onto the turntable. The parents were gone. The windows shook. The shelves were rattling. Rock & roll. That began an exploration into music that had soul, rebellion, aggression, affection.
In the earliest years of the AIDS crisis, there were many gay men who were unable to come out about the fact that their lovers were ill, A, and then dead, B. They were unable to get access to the hospital to see their lover, unable to call their parents and say, 'I have just lost the love of my life.'
I remember studying so hard for so long and saying to my parents, 'I will be a teacher.' And they were looking at me like, 'Girl... you just want to be on stage. Stop pretending.' So when I chose to do music, they were relieved. My parents were more intelligent and lucid than I was.
My parents were lovers of books, and they raised us in a manner that viewed freedom and subversion as indispensable.
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