A Quote by Boz Scaggs

My songwriting and my style became more complex as I listened, learned, borrowed and stole and put my music together. — © Boz Scaggs
My songwriting and my style became more complex as I listened, learned, borrowed and stole and put my music together.
When I finally gathered, invented, stole, simplified, borrowed, and found a publisher for a clutch of reasonably foolproof recipes, I learned I had friends I hadn't known about - more proof that a mutual dislike can be quite as sound a basis for friendship as a mutual devotion.
My songwriting process, and maybe loads of other people's, is just this sort of smashing together of emotions and stuff to make some music. It's kind of simple and really complex at the same time and, as you can see, incredibly hard to explain.
I couldn't listen to music with lyrics for the first few months after the brain surgery, because they were too complex and disturbing. So I listened to a lot of classical music. I didn't really want to read, either, so I listened to books on tape or watched movies. I also re-taught myself all of my childhood piano pieces. It helped me repair my brain.
I've always listened to a wide variety of music, and I know that shows through my songwriting evolution.
Growing up, I listened and was influenced by a lot of those around me. I have a big family, and my dad listened to '80s music, my mom listened to Motown, my brother listened to reggae, and my granddad was the one that got me into jazz and swing music.
I had composed songs, I sang, and played the vina. Practising this music I arrived at a stage where I touched the music of the spheres. Then every soul became a musical note, and all life became music. Inspired by it I spoke to the people, and those who were attracted by my words listened to them instead of listening to my songs.
Magazines don't have enough confidence to have their own style, so they use a borrowed style. That is shocking to me, but your perception is very accurate. It's a way to be more commercially viable, but to me, that's not having a style, that's having a schtick.
I'll be a story in your head. That's okay. We're all stories in the end. Just make it a good one, eh? 'Cause it was, you know. It was the best. The daft old man who stole a magic box and ran away. Did I ever tell you that I stole it? Well I borrowed it. I was always going to take it back.
Wherever you're from, you adapt to your environment. It definitely made my music a little bit more explicit. Because I really was in North Philly, I listened to State Property and stuff. Everything my dad listened to, I listened to.
The ideas I stand for are not mine. I borrowed them from Socrates. I swiped them from Chesterfield. I stole them from Jesus. And I put them in a book.
I think Americana music is music that is generally more singer/songwriter oriented. It has more to do with the songwriting. The music, it's more like stories set to music.
I'm happy. I learned. I learned from my mistakes. But when you learn, you see all the results; you look more mature, and you put all the pieces together.
Classical music is a genre of music. It's no more complex or less complex than pop music or R&B. The elitism is weird.
The ideas I stand for are not mine. I borrowed them from Socrates. I swiped them from Chesterfield. I stole them from Jesus. And I put them in a book. If you don't like their rules, whose would you use?
I would say that the most complex style of singing comes from India. Real, classical Indian music produces probably the best technical and natural singers in the world, just because the patterns and the inflection are so complex in how the style moves and what it requires vocally. I think the best classical singers come from India.
I was a folk singer who became totally over the edge with country music. I found my voice and style working with Gram Parsons. I learned how to listen to George Jones records and the Louvin Brothers.
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