A Quote by Boz Scaggs

I think that it can be said of a lot of artists, and myself included, that we made the same record over and over from the beginning. — © Boz Scaggs
I think that it can be said of a lot of artists, and myself included, that we made the same record over and over from the beginning.
I always try to do something different. I don't think I've made the same record over and over.
For me the idea was always throw myself into different situations and push your imagination as far as you can to get to where you want to get to. I think a lot of bands make the same record over and over again because they're married to the same three or four people. At some point they've done all they can do with their own imaginations.
Europeans really provided many venues over there and hailed the jazz artists, and a lot of musicians went over there and stayed over there for a long time. A lot of them moved over there, lived over there, and died over there.
I wouldn't want to make the same record over and over again or look the same or be the same. I think that's just human life in general, though.
I think that first and foremost, a lot of turntable artists end up using really the same sounds over and over, and they really get recycled.
Democrats, myself included, tend to respect and value expertise and find that people who have established a record of accuracy and developed a model that's proven to be beneficial over time should be people accorded great deference when they opine on a topic that they have demonstrated past mastery over.
At the time, there was a great disagreement over 'The Wild and the Innocent,' and I was asked to record the entire album over again with studio musicians. And I said I wouldn't do it, and they basically said, 'Well hey, look, it's going to go in the trash can.' That's the record business, you know.
Whenever I approach a record, I don't really have a science to it. I approach every record differently. First record was in a home studio. Second record was a live record. Third record was made while I was on tour. Fourth record was made over the course of, like, two years in David Kahn's basement.
I just like so many different kinds of music that I like experimenting. I don't want to keep making the same record over and over and over. I'm an 'evolve or die' kind of a musician. I think it's cool to try new things.
I've said multiple times, over and over and over and over and over and over and over and over again that I want to play for one team my whole career.
I like to break down barriers and I think that Hollywood is doing the same thing over and over. I want to do something new and say, "Let's evolve as artists!"
I don't think I'll ever do a record that's just the same song over and over again because I'd like to think about it like it's an album and a snapshot of everything that makes you who you are and where you're at at that time in your life.
The same music is playing on the radio in San Francisco, New York, Washington DC and Annapolis. Everywhere you go there's the same artists and same songs by them, over and over again. At some stations they play the same songs 50 to 60 times a week.
When I hear the same formula being used over and over, I get bored. Just as huge pop artists have taken inspiration from things that are happening at the moment, I do the same with my music.
Just ask yourself what record you played over and over again when you were depressed or what record made you really happy? Those will never change and you should never be embarrassed by it.
I do talk less now because the sound of my voice saying over and over the things I said years ago embarrasses and depresses me. Why do I say the same things over and over?
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