A Quote by Brad Alan Lewis
The time to be upset is during the race, when you can actually do something about it. Nothing could be done now. A thousand times I'd told them: the key to racing is to come off the water regretting nothing.
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I'm good at separating my personal life from racing. When I'm at track, it's race time; when I'm away from it, other than the fact I'm training to be fit for it, there is nothing at home that makes me even want to think about racing. I just want to enjoy my life, and by the time the next race comes around, I'm ready and excited for it.
I was not allowed to think of him. That was something I tried to be very strict about. Of course I slipped; I was only human. But I was getting better, and so the pain was something I could avoid for days at a time now. The trade-off was the never-ending numbness. Between pain and nothing, I'd chosen nothing.
I used to have to force myself to go, okay, nothing, nothing, nothing, nothing and then all of a sudden a thought of some where could come in. Now I can just focus and not think about anything. So, yeah, I guess I do that a lot.
I'm not upset about my career; I'm just upset about how my name has been portrayed. A lot of guys have played with Bron and had success. There's nothing I can do about it. I've tried to change my image a million times.
I started racing go karts when I was six. I just loved everything about racing. I was raised in a racing family. And I always wanted to race for a living at the highest level I could.
But maybe you never really had someone, she thought now. Maybe, no matter how much you loved them, they could slip through your fingers like water, and there was nothing you could do about it.
Theatre artists are essentially sort of charlatans and thieves, I mean that's the tradition that we come from, so I have absolutely no, I make no bones about the fact that I steal from here and I take from there, and we all do it, that's perfectly all right, that's the nothing, there's nothing new in the world, there's nothing actually new in the way that you do something, but the point is is how do you take something and use it to articulate what is essentially a core of any given theatrical production.
Nothing is nicer than diving with your eyes open. Diving down as far as the shimmering legs of your mother and father who have just come back from swimming and now are wading to shore through the shallow water. Nothing more fun than to tickle them and to hear, muffled by the water, how they shriek because they know it will make their child happy.
I was upset about not going to the Olympics. It was a dream of mine, and I'd been working at it for a long time. But I've turned pro now; it's in the past, and there's nothing I can do about it.
Nothing is a bigger waste of time than regretting the past and worrying about the future.
When my mother didn't come back I realized that any moment could be the last. Nothing in life should simply be a passage from one place to another. Each walk should be taken as if it is the only thing you have left. You can demand something like this of yourself as an unattainable ideal. After that, you have to remind yourself about it every time you're sloppy about something. For me that means 250 times a day.
Now don't say you can't swear off drinking; it's easy. I've done it a thousand times.
Not only did I not like officiating his games, I was afraid at times he was going to knock my block off... there was nothing you could do to get the guy on your side... with saying that, I've talked to Rasheed Wallace in the last couple of years and he's nothing but a complete gentleman off the floor.
I have been merely oppressed by the weariness and tedium and vanity of things lately: nothing stirs me, nothing seems worth doing or worth having done: the only thing that I strongly feel worth while would be to murder as many people as possible so as to diminish the amount of consciousness in the world. These times have to be lived through: there is nothing to be done with them.
Once upon a time, I could sing three hours. Now, when you see me say 'I'm done,' I'm done; ain't nothing left till the next night.
My formula is not thinking about what I'm doing; it's about still having fun and making music. I don't go into the studio with a thought pattern or certain goals in mind - sometimes I'll start with drums, other times I'll start with the piano - but it's all done spontaneously, so nothing is premeditated, and nothing takes a long time.
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