A Quote by Brad Dourif
I am good when there is something central about the character. There is always a human theme I attach myself to. I am really looking for something that is moving or enlightening or something with depth as an actor. I look for these kinds of roles.
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I am looking for a character that connects to me on some level. It has to be about something, it has to have depth to it and it has to be about something. The story of the character and their relationship with the people and places around them appeal to me and are what I look for.
I am looking for movies that are actually about something and that are questioning something. Movies that are provocative in some way and I am also looking for roles that I think will force me to grow or learn something about myself or the world in order to play them well.
The friendship that you create between you and a mom - or you and an older woman figure - is so important and so influential. I think that my relationship with my sister, my relationship with my best friends - when I'm feeling really terrible about myself, they're always there to let me know that I am being dramatic about something, or I'm being stupid about something - it's good to have those kinds of people to drag you back down and protect you.
If I look at the one thorn that is in my side, of all my life, it is my weight. I fret about it, I'm anxious about it, being an actor on television - it drives me insane. It just seems to be something that plays a central part in waking up in the morning and thinking, 'How am I with myself today?'
If you know what it is before you even start, it's not as interesting. Central to being an actor is pretending, and the adventure of it all. That's why you become a junkie for different kinds of situations. I try to attach myself to people who really inspire me, and directors who are really passionate. That way, I can give myself more fully and trust the impulse behind why the film is being made, and I can be a little more irresponsible in finding out what the character is. I have to worry less about what the character means if I trust the director.
I am a known actor who wants to challenge himself in difficult roles. I am not a star but an actor, so I am always looking for strong scripts and strong roles.
I am about to vote. I am about to do something that human beings are rarely allowed to do. I am doing something that did not exist until America.
I always feel secure. I can't be a pure actor if I feel insecure. I can't let other things take over my love for acting. For me, it's a giving art. It is not something which I am doing for myself. I am doing it for my co-actors, unless it is something like 'Trapped'.
You give me the feeling that the universe Was made by something more than human For something less than human. But I identify myself, as always, With something that there's something wrong with, With something human.
You know, the character of Isabelle in 'Love Crime' is the only character I feel the furthest from. I have nothing to share with her, so it was really difficult. Being an actor of composition is something, but you always base yourself on something you know about.
I always love to look at something that I couldn't make, because I feel it's enlightening. It means you are not invincible: you can respect something and look up to it and go, 'Wow!' It's a skill that I don't have, but I can understand the merit of it.
I can't be passionate about something or really give myself to something if I don't know it's a hundred percent authentic to who I am.
There is something else I am after, out here in the wild. I am searching for an even more elusive prey . . . something that can only be found through the help of wilderness. I am looking for my heart.
When you do something good, the Argentine people really attach themselves to you. They have so many problems back there that they're looking for somebody to be proud of. I think about that, and I won't forget it.
The cities, the roads, the countryside, the people I meet - they all begin to blur. I tell myself I am searching for something. But more and more, it feels like I am wandering, waiting for something to happen to me, something that will change everything, something that my whole life has been leading up to.
A lot of blues music seems like it's moving away from God, or the center, and Gospel music is moving towards it. It's embracing a higher reality. When you look a little closer, the way that I define it or explain it, is that the blues is the naked cry of the human heart, apart from God. People are searching for union with God. They're searching to be home. There's something in people that seeks this union with their creator. Why am I here? Where am I going? What's it all about? Who am I? All this kind of stuff.
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