A Quote by Brad Dourif

I prefer film to the stage. I always like the rehearsal better than I like performing. — © Brad Dourif
I prefer film to the stage. I always like the rehearsal better than I like performing.
I like connecting with people, and that's what good art is, a point of connection. There's nothing better, on stage or on film, than feeling like you've achieved that.
I don't do rehearsal. Some directors prefer to do rehearsal - readings before the actual shooting - but I don't like this process because I think there are certain things that are so spontaneous, and they cannot happen twice.
I prefer the competitive atmosphere of a classroom setting, like yoga or Pilates. That keeps me going. Although performing on stage is great exercise!
I feel like a lot of my work on stage, I've gotten to play a wider range of characters than I have on film. This feels closer to who I am than stuff I've played on stage, or, like, Olive Kitteridge.
I definitely love performing live because there are moments of spontaneity. And as much as you're performing on stage, I feel like the audience is performing, too.
I had been performing since I was 5, so it wasn't like I hadn't been on a stage before. I was always older than my age. That's my nature. I've always been a kind of mature kid.
Touring and performing is the best part of my job. I love it. I guess I like pop and rock. Really getting into a powerful stage performane, running around like crazy on the stage.
I would like to do more film scoring, period. Whether it is a big film, a small film, or just anything. I feel like I have a lot to learn, and what better way to do it than on the job?
Plays are literature: the word, the idea. Film is much more like the form in which we dream - in action and images (Television is furniture). I think a great play can only be a play. It fits the stage better than it fits the screen. Some stories insist on being film, can't be contained on stage. In the end, all writing serves to answer the same question: Why are we alive? And the form the question takes - play, film, novel - is dictated, I suppose, by whether its story is driven by character or place.
I like to do everything you can possibly do before you go into rehearsal, because once we are in rehearsal or on the stage there will be a problem I didn’t anticipate. It’s really good to think we got it all nailed - of course you’ve never got it all nailed.
I like to do everything you can possibly do before you go into rehearsal, because once we are in rehearsal or on the stage there will be a problem I didn't anticipate. It's really good to think we got it all nailed - of course you've never got it all nailed.
I don't prefer much of film over stage... The only thing I prefer is the paycheck.
After twenty plus years of performing hundreds of shows a year, I prefer to try things out on stage rather than for friends. I don't see the benefit in that, really.
Dancers, like all performing artists, like nothing better than to be challenged.
I always liked performing in front of my parents' friends. My dad bought me a karaoke machine, and I would put on a Michael Jackson song like 'Thriller,' and I would come out with, like, a hat and a jacket, and, like, moonwalk in my socks, so I was always performing.
I prefer to take up films where I have a substantial role and screen space, though there's nothing like a conscious decision of doing one film a year because I haven't reached that stage yet.
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