A Quote by Brad Feld
Having read my share of tell-alls over the year, including some that were passed off as autobiographies, I mostly feel sad - sometimes for the writer and sometimes for all the people in his way. I hope that the process of writing the tell-all gives some release and closure on what clearly was an unpleasant and unfulfilling life experience.
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If a writer is to tell his own story - tell it slowly, and as if it were a story about other people - if he is to feel the power of the story rise up inside him, if he is to sit down at a table and patiently give himself over to this art - this craft - he must first have been given some hope.
If I could have found what I needed at thirteen, I would not have lost so much of my life chasing vindication or death. Give some child, some thirteen-year old, the hope of the remade life. Tell the truth. Write the story that you were always afraid to tell. I swear to you there is magic in it.
People do tell a writer things that they don't tell others. I don't know why, unless it is that having read one or two of his books they feel on peculiarly intimate terms with him; or it may be that they dramatize themselves and, seeing themselves as it were as characters in a novel, are ready to be as open with him as they imagine the characters of his invention are.
Life is an ever-flowing process and somewhere on the path some unpleasant things will pop up - it might leave a scar, but then life is flowing, and like running water, when it stops it grows stale. Go bravely on, my friend, because each experience teaches us a lesson. Keep blasting because life is such that sometimes it is nice and sometimes it is not.
I don't ever tell people what to do! Even if it seems and feels that way sometimes, I don't think I should tell a person how to spend their money. I try not to tell people what to read.
Sometimes you read something and it's just -- it doesn't invite a reader....Sometimes you read something and it's not saying, 'oh come in, come in have a seat. I'm going to tell you what happened.' Perhaps my writing comes off as conversational...and that takes effort.
Life is painful sometimes. It touches everyone, so you may as well try to look for other answers and find peace. So, it is difficult to write those types of things because nobody wants to tell sad stories. I think that I'll always tell stories about human hope. I would love to be able to tell somebody, "It's okay. It's all right. Be a good person." That's what my job is, in life.
It's hard to do large, expensive projects without some sort of hierarchical structure where somebody can tell you - maybe softly, but at least tell you - what to do, or you have some supervision over you. Physicists like to be completely independent of each other. So that's a constant struggle. And it's a place that sometimes we get in trouble.
Sometimes we get sad about things and we don't like to tell other people that we are sad about them. We like to keep it a secret. Or sometimes, we are sad but we really don't know why we are sad, so we say we aren't sad but we really are.
Of course, you decide which story you want to tell. For me, it's been very authentic, so sometimes I'm super happy, and I post four pictures one after the other; sometimes I'm busy, and I don't. Sometimes I'm sad, and I post a sad picture.
Sometimes I'm having conversations with my friends, and I feel like they can't relate to me anymore. I'm like, 'Oh, my God, let me tell you about my experience on 'Fallon'!' And they'll be like, 'Oh, my God, let me tell you about my trip to the mall!' It sometimes feels lonely.
I'm not from Hollywood, and I'm also not one of the people who wants to do a tell-all, and I hate tell-alls. I didn't want to tell all.
do you not feel that sometimes in life one's friendships begin by antipathy - sometimes by indifference - and sometimes by that sudden magnetism of sympathy as if in some former life we had been very near and dear, and were only picking up the threads again, and to such two souls there is no feeling that they are strangers.
I feel a responsibility, as I get older, to be responsible to what I've experienced, to what I've lived and been in a position to witness. I realize now that as a consequence of having lived the life I have, quite apart from the one, as I understand it, lived by most American writers, maybe I now know some things and have some stories to tell that others don't know about or wouldn't be able to tell. Maybe there's an intrinsic value in that lived experience and knowledge, though of course what you do with it is everything.
She asked me what made me do such a thing. That is an awkward question because I often can't tell what makes me do things. Sometimes I do them just to find out what I feel like doing them. And sometimes I do them because I want to have some exciting things to tell my grandchildren.
Sometimes I have a feeling that I just can't get rid of. Sometimes there's an experience that I want to write about that I have to get off my chest. Sometimes there are some words that appeal to you.
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