A Quote by Brad Furman
The opportunity to shoot and get the depth out of the film - that I don't think you can get out of digital - is a huge deal for me.
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There is a difference between film and digital. Because digital, you know, it's perfect and whatever. But with film, you get depth. You get subject.
I think the real problem is that nobody buys albums anymore, so you don't get the depth of the artists that are out today. What you get is whatever they felt is politically correct to get on there and actually make some impact. I think that's where you're losing your depth. You're only getting the very top of everything. It really bothers me.
Independent film is such a huge deal in the UK. There aren't many big budget studio movies that get greenlit at all. The indie film industy is a great opportunity that I'm trying to seize.
I'd be fine to make movies and have them never come out. But you have to deal with the business side. You can't get too emotionally invested, because again, you've got no control. There's going to be some huge film out that everyone goes to, and it probably won't be mine.
Film has far more color shades. It's called 'bit depth' in digital terms. And most bit depth in digital is about twelve, but film bit depth can be twenty to thirty. And so you just have more shades of yellow and red and oranges and everything.
I love that you can shoot something on your phone, or shoot something on these small Cannon cameras, and edit it overnight and get it out there the next day and potentially go viral. And that's huge. It really takes the middle-man out. It allows anybody to become a content creator.
Tom Arnold and I, we have a huge firefight scene on top of a German tank. I get to shoot 50 caliber rounds. We shoot a helicopter out of the sky. That's the only fight I'm in.
When I made 'Eight Below,' they wanted me to shoot digital, and I didn't want to do it because that's just what I need, to get a great series of takes and then find out the camera was frozen.
Studios are so used to digital now and there is a mythology that it's cheaper. But it's really not cheaper. For instance, digital is great for night exteriors, everybody knows it's a video tap, so it's very responsive to light. So you can go out at night, shoot with digital and it's gorgeous, beautiful to look at . Conversely, you go out and shoot day exterior, and it slams you, just like you know from your own video recording.
I feel like I'm doing what I love. If I can get out, shoot, film and climb, and be with my friends and family, I'm happy. It doesn't take a lot. I don't need to climb huge mountains. I have a deep connection with wilderness and the environment, and I'm thankful for that.
I think I mainly climb mountains because I get a great deal of enjoyment out of it. I never attempt to analyze these things too thoroughly, but I think that all mountaineers do get a great deal of satisfaction out of overcoming some challenge which they think is very difficult for them, or which perhaps may be a little dangerous.
I don't think there is any advantage to digital unless it's in a case like Slumdog Millionaire, where you have to get a shot and a big bulky film camera is out of the question.
I guarantee, that if I am elected, I will take over the White House, hang out, shoot pool, scratch my ass, and not do a damn thing . . . Which is to say, if you want something done, don't come to me to do it for you; you got to get together and figure out how to do it yourselves. Is that a deal?
If you need to strap a camera to you or get in a small space, then it makes sense to use digital.I do think it is possible to use a digital camera artistically, but it can only be good if you are using film technique. Film has grain, and digital has pixels, and there is not that much of a difference, but digital does not replace the need to create a scene and light it properly and spend time considering the shot.
'Tangerine' being my fifth film, I was out of favors. I couldn't afford to get the Arri Alexa or RED cameras and I definitely couldn't shoot on film.
I get out, I get out of all your boxes. I get out, you can't hold me in these chains. I'll get out. Father free me from this bondage. Knowin' my condition is the reason I must change
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