A Quote by Brad Garlinghouse
I think any great culture is born out of transparent, authentic communication. You almost can't overcommunicate. You can try, and you might think, 'Oh, do I really have to say this again?' And the answer is yes.
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If you ask almost any of them, do you stand behind your theory, is this the answer, I think they would almost every one say that no, no, no, I'm just trying to expand the range of possibilities. We really don't know what is going on.
If you ask almost any of them, 'Do you stand behind your theory? Is this the answer?' I think almost everyone would say, 'No, no, no. I'm just trying to expand the range of possibilities.' We really don't know what's going on.
Often, we need to ignore the words people say and attend to their underlying, urgent, life or death questions: Am I valuable? Am I loved? The great thing is that the answer is easy: Yes! The answer is always yes. We don't have to think too hard.
I think Cormier is gonna come out and try to wrestle me, try to get me tired, and try to push the pace. I know he might not say that I'm on his level but I think I am and he thinking that I'm not, really.
Down there - he said - are people who will follow any dragon, worship any god, ignore any inequity. All out of a kind of humdrum, everyday badness. Not the really high, creative loathsomeness of the great sinners, but a sort of mass-produced darkness of the soul. Sin, you might say, without a trace of originality. They accept evil not because they say yes, but because they don't say no.
Oh, I didn't think it wise to hide it. Might not be able to find it again," I say, cheerily. "It's sitting in plain view on your chair in the great hall. I do hope that was the best place for it.
I think it matters almost infinitely that we practice one of the authentic religions. But if you mean does it make any difference which. The answer is no, as long as each is followed with equal intensity, sincerity, dedication.
I think all of us set out to try and reach as many people. That's the whole point of being in a band: trying to get your music out there. So, any opportunity to do that, within reason. We're informed about where our music is going to be used; we get to say yes or no. There are things we can turn down, and there are things we can agree to. When it comes to movies and stuff like that, it's great for us. I don't think it's selling out. Maybe 10 or 20 years ago it was seen as selling out, but nowadays I think it's the only way to get your music out there.
I do have rules, and etiquette things. I think it's a southern thing too, to an extent. I'll hold the door for someone, but if they don't say, "Thank you," it pisses me off. I say, "Yes, ma'am," and, "Yes, sir." Stuff that is maybe archaic in a lot of ways, but that's how I was raised, and I don't think there's really any harm in that.
I think, as poets, we are in the odd position of constantly defending our art form. Which is funny and also sort of invigorating, too. No one really says, "Oh you're a lawyer? I've never understood the law. In fact, I kind of hate it." Or, "Oh you wait tables? I didn't know that was something people did." I say it can be invigorating because, on some level, we have to evaluate what we do and why we do it almost daily. We have to explain ourselves to people all the time. We have to say, "Yes, I am a unicorn, believe in me."
Say "yes" to life! "Yes" to wonder, to joy, to despair. "Yes" to pain, "yes" to what you don't understand. Try "yes." Try "always." Try "possible." Try "hopeful." Try "I will." And try "I can."
I think the world is much more transparent now, and I think that's probably a good thing. On the other hand, I think it makes it really tough for people who are natural born leaders who could be guiding us and leading our countries.
I was always, you know, a decent player growing up. And yes, I was born with a certain amount of so-called 'natural ability.' But I also worked and sacrificed a lot to try to maximize what I was born with - which I think is important to point out.
I really wish that peoplewould just say, 'Yes, it's a comic. Yes, this is fantasy. Yes, this is Science Fiction,' and defend the genre instead of saying, 'Horror is a bit passe so this is Dark Fantasy,' and that' s playing someone else's game. So that's why I say I'm a fantasy writer and to hell with 'It doesn't read like what I think of as a fantasy'. In that case what you think of as a fantasy is not a fantasy. Or there is more to it than you think.
I will say from the outset, I think if you're great, you're great from the very beginning. And because I do think it is innate and I do think it is a gift you just have, and I don't think you can - you can hone the skills of a director, but sadly, I do think that you are born a great director. I think it's just in you and it's something that is deep in you. But, I find it can be difficult working with first-time directors, but it's also moving.
I think I'd rather tell the truth and say what I believe in and make people unhappy than sort of pretend to think something else to accommodate them and try to be liked. That's just the way it goes and I don't think I'm any great champion of anything, but if they're going to put me on a show, I'm going to say what I think.
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