A Quote by Brad Goreski
Obviously, sometimes I just feel like looking like a box of crayons.
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A good organization is like a box of crayons. You need different colors of the spectrum, but all the crayons should fit in the box.
Everyone is born creative; everyone is given a box of crayons in kindergarten. Then when you hit puberty they take the crayons away and replace them with dry, uninspiring books on algebra, history, etc. Being suddenly hit years later with the 'creative bug' is just a wee voice telling you, 'I'd like my crayons back, please.
I like garage band for writing because you only have crayons and there are only five crayons in the box. Your choices are limited and I find that to be very good for me.
Life is like a box of crayons. Most people are the 8-color boxes, but what you're really looking for are the 64-color boxes with the sharpeners on the back. I fancy myself to be a 64-color box, though I've got a few missing.
In kindergarten, we had this Irish Catholic headmistress called Sister Leonie, and I remember she would tell us, say, to put the crayons in the box. I remember thinking, 'Why is everyone finding this so easy? Why should the crayons be in the box?'
I get burned out on standup. But I like acting. I do like it. But sometimes you just feel like a monkey. You just feel like a complete tool. But I like it. I do like it. Stand-up is just more free. A lot more freedom because you just do what you want to do.
It's a little scary when you - I got - I just got a box to my house for my birthday from this girl who writes - I mean it's a box of like - just like body lotions and stuff like this. And like this little box of dog toys in there. There's - you name it, candles, it's like this little box that she put together for my birthday. But she wrote in it and it came to my house.
Sometimes I feel like being an intellectual. Sometimes I like to just be aggressive and all the way in my feelings. Sometimes I might be emotional, or sometimes I might drag on the track and be lazy. I just like to share the different states of existence of Kevin Gates with the rest of the world.
I guess I feel like; if you're doing something and people are accusing you of appropriating something like that so obviously, then I would feel like I've failed as a creative person. It's just like stealing something and doing some sort of slight alteration to it - I'd feel like I'm not doing my job as a musician, or as a creative person - if it's just obvious like that.
Sometimes I feel like both; sometimes I feel like neither. Sometimes I feel like something else completely. Gender-wise, I identify as a non-binary person, which means not male, not female.
I always feel like an idiot every time I fly first class because I’m a kid. And I just sit there, and everyone’s got their newspapers and they’re on the computer, and I’m like, 'Can I get a coloring book, please? Can I get some crayons?'
I'M INTROSPECTIVE, because sometimes I want to take "our" side without looking at the facts in situations like these. Sometimes I feel like it's us against them. Sometimes I'm just as prejudiced as people I point fingers at. And that's not right. How can I look at white skin and make assumptions but not want assumptions made about me? That's not right.
I don't practice. It's a gift. It's talent. Obviously, I do it all the time so it's like I'm practicing, but that's just what I do. Sometimes I'll be in the studio flipping through beats and I'll do something quick and people will be like, "What the?!" It's natural! I don't need to be nice like that, I just do it.
I just don't feel that we've traveled very far in the realm of social equality. There just seems to be a little bit of unrest. And sometimes I think that happens when you really feel like something's about to change. Right before the moment of lift off, sometimes things feel a little bit unhinged, and that's what it feels like to me right now, both as a woman and just as a human on the planet as an American woman in America. I feel like we're on the precipice of change. I feel a little nervous.
I wrote most of 'Hello in There' in a relay box, which looks like a mail box, only bigger. Sometimes, it was so cold and windy on my mail route that I'd go inside the relay box and eat a sandwich, just to get away from the wind. I remember working on 'Hello in There' inside the relay box.
I just feel like I understand Cameron Diaz better than I ever have before, and I don’t like it. I don’t like to see everything I see. It’s like a magnifying mirror only soulful, and I’m not looking at her, I’m looking at us, you know? And our pores are huge.
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