A Quote by Brad Goreski

Going into 'Details' magazine to pitch concepts for a potential photo shoot was one of the most nerve-wracking things I had ever done. I didn't really know what one did in a pitch, how they were structured, etc., and that freaked me out big time.
If the pitch starts with a sob story, I'm out. If the pitch talks about personal issues, I'm out. If the pitch starts off with how big the market opportunity is, I'm out. If the pitch tells me what is unique about the product, how it can make a profit, and it's an area where I have expertise, I will read on.
For me, all my negative thoughts that I have about, 'How did you miss that pitch? Why did you miss that pitch? You shouldn't have missed that pitch.' I just kind of sit there and kind of crush it up, and once I'm done doing that... I just kind of toss it aside.
I get people being frightened of me. One time I did this photo shoot where I had hairy armpits - I was really digging it, but they were like, 'We'll airbrush that out.'
The real Pogba is the one you see every time. You know, when I'm on the pitch, I cannot act. I'm not an actor. So when I'm in the pitch, I like to joke and laugh, and outside the pitch, I'm the same. For me, I'm normal. I come and play football. I do what I love.
I worked at a bunch of salons, and at one, a girl was going out to do a photo shoot for a women's magazine and brought me along to assist her. I remember going on that shoot and thinking, "God, this is great. It's creative, and you get to work with all of these other creative people." At that point I decided that hair would be my in to fashion and all the things I thought I would enjoy - and did enjoy.
I worked at a bunch of other salons, and at one, this girl was going out to do a photo shoot for a women's magazine and brought me along to assist her. I remember going on that shoot and thinking, "God, this is great. It's creative, and you get to work with all of these other creative people." At that point I decided that hair would be my in to fashion and all the things I thought I would enjoy - and did enjoy.
No one has ever raised capital because their pitch deck was pretty. A lot of people have raised capital because they were over-prepared, knew where their business was going, and were able to articulate that through a pitch alongside a pitch deck.
College is a time in life where you get to know yourself as a player on the pitch and off the pitch. My coaches at USF were instrumental in making me understand the discipline it takes to succeed at the next level. Those were four special years for me.
Working with Kanye is one of the greatest things ever. It's also one of the most nerve-wracking things ever. He's, like, the most critical, particular, artistic person ever.
The way I pitch is the way I pitch. I'm not going to change my overall philosophy. I'll just go out and pitch.
Getting my curveball back and finding another pitch just helped me figure out how to pitch.
I see myself on the cover of a magazine and I don't think that it looks like me at all. My first-ever photo shoot was for the cover of a lads' magazine.
I think you need to know how to seperate what happens on the pitch from off-the-pitch matters.
My best pitch is my fastball. It's probably the most difficult pitch to hit. In my case, batters have very little reaction time.
When I get onto the pitch, I block out everything around it, and I really focus on the pitch.
There is stuff going on inside me. But I have always been told to go out there and pitch like you can't tell if you just struck somebody out or just gave up a home run. If something bad happens, I don't dwell on it. Just give me the ball and let me pitch.
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