A Quote by Brad Hall

Comics and actors come from such a wide variety of backgrounds and there's a theory that all comedians had tortured youths. — © Brad Hall
Comics and actors come from such a wide variety of backgrounds and there's a theory that all comedians had tortured youths.
While they came from a variety of religious backgrounds and held a wide variety of religious beliefs, each of our presidents in his own way has placed a special trust in God.
Harvard is a wondrously tolerant climate for debate and exchange among a wide variety of thoughts, backgrounds, and beliefs, but the voice of religion on campus is largely inaudible.
I remember 9/11; we had 'Comics Come Home' about a month after those events. That night, even the comedians were concerned. Would the audience be ready to laugh? It was a release for everyone.
You have comedians who just do jokes, and they're called comics, not comedians. You have comedians that do bits - a person that has a lot of jokes that have a beginning, a middle and an end, but it's not a real story. And you have someone that does great stories, the one that blends those things together - that person is doing comedy.
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A lot of comics make good actors. Actors make bad comics. They can't do it the other way round.
I have worked with a great many comedians as opposed to comics, although I have worked with comics as well, I make the distinction.
You put a group of people in that come from a variety of backgrounds and who are out there in the world with different opinions and different ways of expressing themselves online. It's hard to say.
You have to go away to come back. That's just normal. That's with bands, actors, comedians, everything.
After the comedy boom of the '80s, there was a certain formula that comedians had to do and could do in order to be successful touring comedians, and those were mainly observational comedians who had a very strict structure of what made an act, and I think it was very performance oriented.
I'm a child of the 70's; influenced mostly by albums that had a wide variety of style.
I had thought comics could only be one thing, and that was what mainstream comics were selling us. And the undergrounders proved anything you had in your head, as long as you had the skill to put it down on paper, was fair game. And I started filling sketchbooks with my own comics.
Comics as art. I do comics as comics, and my opportunity to tell stories. Simple. Basic. Let the characters have the excitement, not the package. That's where I come from.
I grew up on monthly comics. My closet is full of monthly comics. I've always wanted to do a monthly comic, and while I've had a couple of offers, the timing has never worked out. Most superhero comics come into the world as monthly series, so we wanted the same for 'The Shadow Hero.'
One percent of all comics ever reach the level of a Chris Rock or a Jerry Seinfeld. When audiences come to the underground rooms, they have a chance to watch the process that happens along the way - and see the comedians grow.
There are a lot of good comics, no doubt, but as far as the quality of the comics goes, I think what you have is a bunch of situational comics - there are black comics that work only black crowds, gay comics that do only gay crowds, and southern comics that only work down South, and so on with Asian, Latino, Indian, midgets, etc. The previous generation's comics were better because they had to make everybody laugh.
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