A Quote by Brad Hall

My first performance was as one of the orphans in 'Oliver!' — © Brad Hall
My first performance was as one of the orphans in 'Oliver!'
I remember doing my first school play. We were doing 'Oliver Twist,' and I was cast as Oliver. It was the first time I ever felt brave and confident and truly happy about something.
For me Oliver Twist is a political novel. It is a furious critique of the treatment of orphans and poor children who were forced to spend their early lives in ghastly institutions.
For me 'Oliver Twist' is a political novel. It is a furious critique of the treatment of orphans and poor children who were forced to spend their early lives in ghastly institutions.
In an ideal world, we would have been orphans. We felt like orphans and we felt deserving of the pity that orphans get, but embarrassingly enough, we had parents.
I spin around on the swivel chair and look up at the ceiling; Oliver being Oliver being Oliver being Oliver. I am suddenly aware of the separation between my-actual-self and myself-as-seen-by-others. Who would win in an arm wrestle? Who is better-looking? Who has the higher IQ?
Oliver Darcy is a perpetual victim. He is constantly advocating for people to be banned and silenced. As a member of the media, Oliver Darcy should respect our First Amendment right.
The performance on the stage has its reasons in the performance induced in thousands of separate minds and this second performance is no less prodigious than the first.
Oliver . . . well. Who knew if Oliver’s problem was the disease or just a bad attitude?
Now that our mother has died, we're two orphans, Angie and I, so she has a deep understanding of the orphans she adopts.
I want to help you," Oliver said. "Why?" Galen looked up at him. "Because of Petunia?" Oliver was relieved that the prince didn't seem to be skeptical about his conviction. He simply looked like he wanted to know, and so did Heinrich, when Oliver dared to look at the other prince. Oliver was very aware that Heinrich had known his father. Had known him better than Oliver had, in fact. "Because of her," Oliver said at last. "Even though I have only met her twice, really...I just..." "I risked my life to save Rose after only speaking with her twice," Galen said with a small smile.
I remember, in middle school, we did the musical 'Oliver.' I loved the movie, and I always wanted to play Oliver. It might not have been stated, but the boys auditioned for Oliver, and the girls auditioned for Nancy. But we also did a play called 'Li'l Abner,' and I was really excited that they let me put on a suit and a fake mustache.
I can remember, actually, seeing the film 'Oliver!' and understanding so badly that I wanted to play that part, but that I would never be able to because I was a 'girl' and Oliver was a 'boy.'
There is a kind of virtue that lies not in extraordinary actions, not in saving poor orphans from burning buildings, but in steadfastly working for a world where orphans are not poor and buildings comply with decent fire codes.
Written poetry is different. Best thing is to see it in performance first, then read it. Performance is more provocative.
Once you recognize that all documentaries are performance, it's not a matter of 'if' they should be performance. They are performance, and they are performance precisely where people are playing themselves.
It is much more difficult to measure non-performance than performance. Performance stands out like a ton of diamonds. Non-performance can almost always be explained away
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