A Quote by Brad Marchand
I just remember I'd snap over little things when I was younger a lot. It was more just trying to control yourself in certain situations and learn how to harness that anger.
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We are little animals walking on the ground, we have a certain life time, we are acting and interacting with different people, and we are trying to build things, but we are just some sort of virus compared to the entire sky. You always have to remember that the moon, the earth, the sun, they are like the real universal objects. We are just passing by, and it makes life more beautiful to think that way. More relaxing to think that way, that nothing is really important, because you give yourself much more confidence and you forgive yourself more things when you think about that.
Before 'AEnima,' we were just following our gut. There was a lot of anger in the air and we never tried to control that. But just as we mature as humans, with 'AEnima' we tried to be fueled more by spiritual ideas or more of a conscious mode of aiming things in the right place or trying to take more responsibility for our art.
I've been trying to learn how to not be so conflicted about things like my own anger. I've always had a place in my music for my anger as a way of compensating for not having a mechanism to express it in my everyday life. So I've been trying to be more true to myself, and that helps me to chill out a little bit. But politically, uh-uh. No.
But everyone gets burnt, don't they? Certain things are outside of your control. I suppose the only thing you can learn as a director is to not put yourself into situations where it can get outside of your control. And that's what happened.
I think what I would say to my younger self, and probably to younger, just starting-out writers is that a lot of times you're just afraid to put yourself out there, and it's uncomfortable because it's working up the courage to do something, to push yourself to do those things.
You don't just come in and say, 'Bam, I'm mature; I'm the leader.' It took time for me to grow into this and learn how to talk to certain players and how to handle certain situations.
I have a way of dealing with situations where I come off awkward, or people think I’m purposely trying to make things uncomfortable. But normally I’m talking really slowly or there’s a lot of silence because there’s just nothing going on. I’m just totally freaking out, but from the outside perspective it looks like I’m in control.
I took piano lessons when I was younger and I've been trying to learn how to play the guitar recently. I'd really like to learn how to play the drums. They're a lot of fun and they require a lot of focus.
I believe in controlling the control elements. Something where we don't have control on certain things, those things you obviously cannot waste your energy in trying to figure out 'How can I control this?' You would much rather focus all your energy on the things that you can control.
There are a lot of things that I love, but if you're just completely invested in those things, their opposite can kick you over... So the trick is finding out how to maintain your balance when you're in situations with the people who make you happy and when you're not.
And after a while, you just pare things down more and more and more, until you get to certain basic things which just - basic ideas which just seem to work for you over and over again.
As soon as you start making a film that's expensive then the studio wants total control over all elements of it because they want to get all their money back. If you make a smaller film you can try a lot more things because you can have control over it and not just be a hired director. The lower the budget the more freedom you have.
You can't just get in a boat with someone and be great straight away. It takes a lot of time to get used to each other. You need to learn how the other person reacts to certain situations.
I was very fortunate when I was little - I played basketball. You really absolutely learn how to be a team player, how to win a game, to accomplish things, not just for yourself.
You really have to act on the force, too. You're involved in a hundred things a day, and you have to react in a hundred different ways, depending on what's going on. And you learn that as you go through your career, how you handle certain situations, interrogations, how you carry yourself. There's a kind of acting to it.
Ang [Lee] gave us a lot of books about cowboys who had been gay or stories about it and all that stuff. And I just talked to a lot of my friends - who [was] their first, particularly same-sex, first situation. That was fascinating to me - trying to learn what that was in a certain period of time. Certain age. The secrecy involved in it. All those things.
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