A Quote by Brad Marchand
If you take guys who have been off who have had very limited opportunity to work out and train and haven't skated in months, you can't just throw them back into games. Everyone's going to get hurt.
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Tara (Lipinski) got out there like a bat out of hell and skated her guts out. Michelle skated very well, but she skated conservatively. She skated great, just not fantastic. That was the difference.
I played eight years without really being hurt seriously and hadn't had to deal with that part of the game. So, to get hurt and to have to miss games, that part of it was very hard. And so when I came back and somebody else had my job and I couldn't get it back. You know that was hard.
I think when you get the opportunity to work with someone like Lars Von Trier... I mean, Alexander Skarsgård, Charlotte Rampling, John Hurt, just to work with those actors, you take that opportunity when you get it.
And it’s all my fault, Gale. Because of what I did in the arena. If I had just killed myself with those berries, none of this would’ve happened. Peeta could have come home and lived, and everyone else would have been safe, too.” “Safe to do what?” he says in a gentler tone. “Starve? Work like slaves? Send their kids to the reaping? You haven’t hurt people – you’ve given them an opportunity. They just have to be brave enough to take it.
This is the first time since I've been coaching that I gave them off on Christmas Day. Sometimes when you lose a game you want to get right back at it. But in reality I thank God we had an opportunity for our guys to be home with their families on Christmas.
There's a risk to everything you do. You can take off on a one-foot wave and get hurt; you can take off on a ten-foot wave and get hurt. You just don't think about it at all. You just go for it. When you kick out of a really big wave, it feels pretty damn good. You want to do it again.
I think it's very important for everyone in America to realize right now the state of our country, not just on this issue but on a lot of issues, that it is time to get active again. People have just sat back and just sort of said, oh, let somebody else do it for a long time, and we're seeing what's happening to the country, even freedom of speech. It's not going well. So I think this is a real opportunity for people to see, yes, if you do get out and you do get active, there are other people there. You just have to seek them out.
I don't take time off. If you've been out of a house for six months and then you come back in and you turn the light on, it might explode. It isn't used to be used. I keep my energy going. It's not a shock to the body when I start playing again. I don't have to 'get in shape.'
If you want to train and work hard 3 months out of the year, well, then, UNI is a great place to go. If you want to bust your tail 6 months out of the year, you should be very happy at ISU. But if you want to train and develop into a champion 12 months out of the year, then Iowa is the place for you.
Everyone gets laid off and everyone in Hollywood gets unemployment for six months while they're looking for a new job. So I would just do stand-up for six months and think I was really making it, and when my unemployment ran out, I had to get another job immediately.
I've seen guys get hurt from strikes. I've seen guys get hurt from flips. It's the risk we take. I feel the fear of getting hurt will get you hurt.
I love to work with the younger kids who are trying to live out their dreams, if in fact that's what they plan on doing after college to take the next step. A very select few have that opportunity so when you do have the opportunity you know, those guys take advantage of it.
There are some guys that can roll out of bed and they can throw 96 from the very first outing. I've just never been one of those guys.
I think with actors, we tend to get rid of characters - and not get rid of them as in discard them or throw them away, but it's just that you take that jacket off because you're going to be putting a different jacket on.
When it was my turn, I just skated out and heard this huge cheer. It was very touching considering the bad circumstances under which I had left the team and that I had been away for four years.
We were really fortunate to work [on Pineapple Express] with a studio that was really supportive of these guys. It was before Superbad and Knocked Up had even come out, but everyone just felt really great about them and the energy surrounding Seth [Rogen] and Evan [Goldberg] and Judd [Apatow] - all of these guys - and the idea of getting Franco back into comedy as well.
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