A Quote by Brad Marchand

When you're able to rely on four lines and every D and both goalies, it's big. — © Brad Marchand
When you're able to rely on four lines and every D and both goalies, it's big.
The Four Reliances. First, rely on the spirit and meaning of the teachings, not on the words; Second, rely on the teachings, not on the personality of the teacher; Third, rely on real wisdom, not superficial interpretation; And fourth, rely on the essence of your pure Wisdom Mind, not on judgmental perceptions.
Because I cannot rely on myself, I rely on Him, twenty-four hours a day.
Footballers are an easy target. They are offered big lines of credit. Every sport is vulnerable; its such a big gambling industry, and there are problems with syndicates in other countries.
Footballers are an easy target. They are offered big lines of credit. Every sport is vulnerable; it's such a big gambling industry, and there are problems with syndicates in other countries.
The goal is too small and the goalies are too big.
I have a new method of poetry. All you got to do is look over your notebooks... or lay down on a couch, and think of anything that comes into your head, especially the miseries. Then arrange in lines of two, three or four words each, don't bother about sentences, in sections of two, three or four lines each.
Right now I'm doing four shows at a time, trying to read four outlines every week, four scripts every week, and watching four rough cuts; it's a lot of good work. It's fun to do it, but it does wear you out.
While writing a normal song, we just pen four lines and then we have a chorus and some lines again. But rap is about storytelling and requires extra effort to write.
Most of the time, with voice-overs, you're recording before they've got the graphics, and you also don't get a whole script. I get my lines, as I show up that day. You don't know what the rest of the story is, so you really rely on the people in the room that you're working with, so they can fill you in on what's going on, right around your particular lines.
I remember my first commercial. This is really great 'Degrassi' trivia: The character Toby on 'Degrassi,' played by Jake Goldsbie, he and I were in both of our first commercial ever when we were four. It was for Tiger Toys, this old Game Boy-type thing. Both of our lines were, 'Mommy, I can do it!
The ability of big money to shape perceptions - where you have four anti-climate lobbyists for every single member of the House and Senate - is a big factor.
In 1978 I decided not to work with Man Ray as an act of self-discipline. I didn't want to rely on him. Man Ray hated not working, though. He would come into my studio, see me drawing or working on photographs, and just slump down at my feet with a big sigh. Fortunately for both of us the year ended. Polaroid had invented a new camera, the twenty-by-twenty-four, and I was invited to Cambridge, Mass., to experiment with it. Naturally, I took Man Ray and we were working again.
Comedy and politics have a lot in common. Both are great ways to pick up chicks - just look at Governor Spitzer. Or Ellen Degeneres. Both require spending time on the road meeting strangers who often have the desire to throw things at you. Both are difficult, if not impossible, to do all alone. And both rely heavily on personality.
[Trudeau and Trump] have certain things in common: they both are celebrities. Both use social media in a very big way. Both scored a big upset.
In music, four is the number that every measure is - four by four, four beats to every measure. The number four is a sense of completion, almost.
A dynamic team cannot rely solely on orders; they must be able to read each others' every move so they can act as parts of a coordinated whole.
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