A Quote by Brad Mehldau

I'm happy to have the opportunity to record the records I want to - I'm very aware that that's a privilege. — © Brad Mehldau
I'm happy to have the opportunity to record the records I want to - I'm very aware that that's a privilege.
Anybody I have spoken to who has held a record says 'Records are meant to be broken.' They get excited when somebody has an opportunity to break one of their records and take the sport even further.
Island Records was the first record label to... acknowledge me. After that, quickly, Republic Records, and then Atlantic Records, Sony Records and Warner Bros. It was all the labels at once. It was absolutely insane, like, knowing that this many record labels were interested in me.
My mom had early rap records, like Jimmy Spicer. In the middle of the records was a turntable and a receiver - I used to scratch records on it - and on top was a reel-to-reel. In front of that wall were more stacks of records. It was either Mom's record or Pop's record, and they had their names on each and every one.
My father was in record promotion in Los Angeles. He worked for Mercury Records, Capitol Records, and RCA Records. My parents divorced when I was about 9. In 1978, my dad moved to Nashville and opened an independent record promotion company, Mike Borchetta Promotions.
I never assumed that I would be able to play in a main draw so quickly after Juniors. I've been having really good results. It really is a privilege. I'm very happy for the opportunity.
A lot of times I go back to record and to make a tour, but I'm very happy to do it, because it gives me an opportunity to dig and hear what's going on.
If I want to do an orchestral record, if I want to do an acoustic record, if I want to do a death-metal record, if I want to do a jazz record - I can move in whichever direction I want, and no one is going to get upset about that. Except maybe my manager and my record company.
The fans are the end result of what we do. Sometimes I think we forget that those are the folks that mean it in this game. There's plenty of evidence to be found that you can have all the #1 records in the world, but if you really ain't touchin' them, you don't come home with gold records and platinum records. I'm very proud that we've only had one #1 record, but we've sold two and one half million!
I have no use whatsoever for projections or forecasts. They create an illusion of apparent precision. The more meticulous they are, the more concerned you should be. We never look at projections, but we care very much about, and look very deeply at, track records. If a company has a lousy track record, but a very bright future, we will miss the opportunity.
Blackheart Records being 25 years old represents staying power and the fact that we weren't able to get a record out through conventional means, so we had to create this record company to put out our records if we wanted to be a band that had records to give out to their fans.
You could have a zillion Facebook followers. Those people don't buy records. It's about a hundred to one...Record companies, they don't have any money so they see social media as the free marketing...So,...'Billy, light yourself on fire and stand upside down, and that'll market the record'. I've spent a lot of time thinking about this. I don't think people by records because of anything that happens on Facebook. They buy records cause they're friends say 'I bought this record and I love it'.
My dream many years ago would've been to continue to write and record songs in record/album form for years to come, but now records aren't what they were then - and so it doesn't actually feel very good to make a record of songs.
Most people assume that a record shop's success lies in selling records. In fact, Virgin's success both in mail order and the record shops lay in skill at buying records.
I made a record in 1996 called 'Animal Rights' that was a very difficult, very dark punk-rock record. Of all the records I've made, it's my favorite one. It's also the one that got the worst reviews and sold the worst.
A lot of people do records, and they get hit records, but we were blessed with a lot of monsters. 'Oh Carolina' was a very monstrous record in 1993; so was 'Boombastic,' 'Angel' and 'It Wasn't Me.'
So one thing that I want to do is to make people realize that astronauts in general are very normal people. They are down to Earth, so to speak. I know it sounds contradictive, but we are very normal people. We are very normal people with a fantastic privilege and opportunity to do something that is extraordinary.
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