A Quote by Brad Montague

It's everybody's duty to give the world a reason to dance. — © Brad Montague
It's everybody's duty to give the world a reason to dance.
There is no reason in the world why we shouldn't fight for the preservation of a chance to live freely; no reason why we shouldn't suffer to uphold that which we want to endure... May God give me courage to do my duty and not falter.
I'm friends with everybody. I love everybody. I trust everybody because they don't give me a reason not to.
We've had nothing but support from everybody in the dance world for a National Dance Day.
Find something you like, go into a room, close the door and read it aloud. Read it aloud. Everybody in the world who likes dance can see dance, or hear music, or see art, or admire architecture - but everybody in the world uses words who is not a recluse or mute. But the writer has to take these most common things, more common than musical notes or dance positions, a writer has to take some adverbs, and verbs and nouns and ball them up together and make them bounce.
I'm friends with everybody, I love everybody. I trust everybody because they don't give me reasons not to you know what I'm saying? So, if everybody just trusted everybody and if everybody just loved everybody then we'd live in a perfect world... you know what I'm saying? I mean, why not?
Concert dance is the hardest kind of dance. We tour constantly, around the world, year in and year out. It just doesn't work for everybody. It's the lifestyle, it's the stamina, it's the love, it's the dedication, it's the commitment, it's all those words.
Reason shows us our duty; he who can make us love our duty is more powerful than reason itself.
There are very few dance companies in the world and you have to be phenomenal. You have to not be injured. You have to have a really strong mind to deal with the dance world. People who can do it are amazing to me. You cannot have a life outside of dance.
I have always said that a conference was held for one reason only, to give everybody a chance to get sore at everybody else. Sometimes it takes two or three conferences to scare up a war, but generally one will do it.
Everybody laughed at me when I said I wanted to make a dance video, but when I said, 'What would it look like if Joe Strummer made a dance video?' everybody shut up.
Britannia High' is not set in a high school where people burst into song and dance for no reason. It's a performing arts school, so there is a legitimate reason for them to sing and dance.
I am NOT a belly dancer. I have never been one, and never will be. What I do is not what Hollywood vulgarly calls 'belly dance', but it's art. I have traveled the world to prove that my dance is not a dance of the belly but a refined, artistic dance full of tradition, of dreaming and beauty. Oriental dance is primarily an expressive dance; in that resides the beauty.
I really wanted to make something that was exciting for everybody, that everybody could enjoy, that was upbeat and positive and that everybody can dance to.
The reason why I returned to dance is simply because I love dance. I had also promised myself that I wanted to make more sense of dance, study and understand it far more in detail.
I met my first dance partner when I was about 17 or 18 and we were married by the time we were 18 or 19, I don't remember the exact date, and everything was dance, dance, dance. Then there came just a short space of time where I was wondering whether I was missing out on anything. Back then when you danced, everybody married their dance partner.
We dance for laughter, we dance for tears, we dance for madness, we dance for fears, we dance for hopes, we dance for screams, we are the dancers, we create the dreams.
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