A Quote by Brad Paisley

If there's a song where there's a possibility of guitar stuff that would be fun to listen to, go for it. Don't worry about what anybody thinks. — © Brad Paisley
If there's a song where there's a possibility of guitar stuff that would be fun to listen to, go for it. Don't worry about what anybody thinks.
I like the songwriting. I don't ever listen and then go back and change stuff. For me when I wrote the song, it's always really fun and exciting.
I would have to work on the song and figure out how they wanted the song done, because they're such high-intensity songs. We figure that out first, then I go back and listen to it and go over and rehearse stuff with it and try to get a feel for the words.
I worry about getting work, and then when I get it, I worry about doing it well. I don't want to just go through the motions and give people stuff. This stuff is really important to me.
I don't listen to a lot of new stuff. I just like the old stuff. It's all quite dramatic and atmospheric. You'd have an entire story in song. I never listen to, like, white music - I couldn't sing you a Zeppelin or Floyd song.
Well you know I've been in that place too where you worry about what everybody thinks of you, am I popular, do people care, are they looking at me, all that stuff. That's a drag, man. Having to worry about fitting in, am I cool enough to ANYTHING.
I would say a great song [is where] you like everything in the song. The lyrics move you, the beat makes you want to dance and you feel invincible when you listen to that song. A good song I think you can listen to but you get tired of it really fast.
Give me the discipline to get rid of the stuff that's not important, the freedom to savor the stuff that gives me joy, and the patience not to worry about the stuff that's messy but not hurting anybody.
I used to listen to it all the time when I was little and thinking about grown-up things. I would go to my bedroom window and stare at my reflection in the glass and the trees behind it and just listen to the song for hours. I decided then that when I met someone I thought was as beautiful as the song, I should give it to that person. And I didn’t mean beautiful on the outside. I meant beautiful in all ways.
But my role is to just apply the skills I've learned over the years: you listen to the guitar, you listen to the vocal melodies, you listen to the rhythm, and you come up with something that helps you take the song somewhere.
It makes me envious of anybody who can say truly that they don't care what anybody thinks of what they do, because I care a lot about the people who like my stuff.
Any time I'm trying to find that groove on a big tempo song, I go back and listen to some Aerosmith records. 'Love in an Elevator,' 'Rag Doll,' all that stuff was really great music. It's something that I still dig and go back and listen to.
I really love 'Cold Song.' If anyone really listens to that song and thinks about their life, there's a lot of good material deep down in there. I think if you listen to the lyrics, it may take you on some sort of a journey.
I got my own sound in Atlanta because I don't listen to anybody's music. When you listen to people's music, you start to say stuff they say as an artist because that's what you've been listening to. Me, I don't listen to anybody. I support, but I don't listen, because I don't want to run with someone style. I do my own thing.
When I'm in the mode of feeling positive about love, I don't really feel the need to mark it down in song. In fact, I know what that song would sound like, and I would not subject anybody to that.
I'd listen to a song and say, 'Hang on, I like that piano thing,' so I'd play the guitar like that and get the vibe from it, and it just evolved from the get-go. It was pretty obvious what to do; You don't think about rock n' roll: you just do it.
I'm nervous, but once I get a guitar on and start a song, after the first few seconds, I can feel it ease. I don't have to worry about anything other than the music.
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