A Quote by Brad Paisley
I had an old, red-covered '63 AC30 - one of the best AC30s I've ever heard. I cut the whole of the first record with it.
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The very first time I ever heard anything of mine on the radio, I was in New Jersey, and I was in my teens. I did my first record, which was an old standard called 'My Mother's Eyes.' It was the old Georgie Jessel theme. I heard it on local radio out of Newark. And it was very exciting!
I got to live out my 11-year-old fantasies - I got to go on stage with Green Day. Billie Joe called my name from the stage. 'Dookie' was the first album I ever bought. I covered the whole of 'Nimrod' and he'd heard it. That was like the 11-year-old girl dreamed.
When I heard Charlie Parker the first time on a record, it had seemed like an old, scratchy kind of record and I didn't get it.
I was only 24 years old when I won my first Olympia. To be that young and the world champion was a lot of pressure. When I won the 8th one, I had the record. I was on top: that was the absolute best that I ever looked onstage, the best training and prep that I had done, and I had no regrets. I knew it was time to walk away.
"I Wish It Could Be Christmas Every Day," which I actually recorded on "Quality Street" because I don't think anyone has ever covered it before. You hear it every single Christmas, and it is a great record. That's by Wizzard. It is a really great record, but I don't think anyone's ever covered it before, so I had to go it doing it differently. It's quite different from how the original goes.
The best teacher that I ever had, the best acting coach that I ever had wasn't the person I was trying to see in the studio, he had too long of a waiting list so I went to the fallback guy. But the best was the one that I heard when I was a kid, the one whose voice speaks to you, that you understand. It's communication. If you have that, than anything is possible.
I think the first big chance I ever got was I was one of the opening acts for UTFO and 'Roxanne Roxanne,' that whole thing. And I come on stage, it's like 5000 people in the Oakland convention center, I'd never had a record in my life, I'd never had anything in a record store.
My dad bought a Beatles tape when I was in fifth grade, and that was the first time I ever really - I mean I was into music, but that was the first time it really blew my mind. When I heard the 'Red Compilation,' which wasn't like a proper album, I thought, 'music was more than I had ever thought it was before.'
My dad bought a Beatles tape when I was in fifth grade, and that was the first time I ever really - I mean I was into music, but that was the first time it really blew my mind. When I heard the 'Red Compilation,' which wasn't like a proper album, I thought, 'music was more than I had ever thought it was before.
I had heard the old Indian legend about the red fern. How a little Indian boy and girl were lost in a blizzard and had frozen to death. In the spring, when they were found, a beautiful red fern had grown up between their two bodies. The story went on to say that only an angel could plant the seeds of a red fern, and that they never died; where one grew, that spot was sacred.
My first record I ever got was 'Full Moon Fever.' My dad gave me a copy when I was maybe nine years old or something. And I listened to the heck out of that record. I loved that record.
When I was a child, I had a ViewMaster, those red box glasses with little discs, so that you can see 3D images. They were my first steps in cinema. I was eight years old, I would cut and change the order of the images and that's how I created films that subsequently I recorded and projected and showed my friends. So I already took my first steps in 3D when I was eight years old.
Oftentimes, when people cut a record from analog tape to vinyl, they digitize the music first; I did a little investigating and discovered that most vinyl records that I've ever heard were digitized before they were put onto vinyl.
I was about seven or eight years old when I first heard West Side Story, and it had a huge impact on me. If you look at the elements of that record, it contains many of the things I enjoy doing today.
Early on, before rock 'n' roll, I listened to big band music - anything that came over the radio - and music played by bands in hotels that our parents could dance to. We had a big radio that looked like a jukebox, with a record player on the top. The radio/record player played 78rpm records. When we moved to that house, there was a record on there, with a red label. It was Bill Monroe, or maybe it was the Stanley Brothers. I'd never heard anything like that before. Ever. And it moved me away from all the conventional music that I was hearing.
I had no desire to become a singer until I heard Billie Holiday. The first time I heard her on a record, it was a revelation. She sounded like a woman singing about herself.
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