A Quote by Brad Pitt
I'm much more experienced now, so I can find films that are interesting quicker and cut out the films that don't really matter. It means more to me now because my kids are going to see them, and I want them to be proud.
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It's just insane because, as a longtime WWE fan, I still have all of my action figures in storage. Now to have my own, and to see my nephews play with them, to see kids tweet me pictures with them, and to see people are actually going out of their way searching all of these stores trying to find them, it's really cool and humbling.
I want my films to do the talking. I feel if people have to understand me better, I should do more good films. I just want them to know me through my films.
For behaviorist films, that's been much more useful - the change of technology - but for my kind of films, doing them on film is much better, because it's more beautiful.
Today no matter where I'm going, no matter what I'm doing, no matter who I'm doing it with, it is my dominant intent to look for and find things that feel good when I see them, when I hear them, when I smell them, when I taste them, when I touch them. It is my dominant intent to solicit from experience and exaggerate and talk about and revel in the best of what I see around me here and now.
In an old model, the way a film would imprint itself on the public's consciousness is to get a theatrical run. But now there are more documentaries and more films in general being released than ever before. There are weeks when the New York Times is reviewing 15 films, so it's harder to leave an impression on the public. A lot of these films are seeing their financial future on digital platforms. Because viewers aren't hearing as much about films in theatrical release, I think the festival circuit is going to have increasing importance for the life of a film.
I don't really even go out that much now, except to walk my dogs, because I don't want to be recognised. I used to be a really friendly person, and now I just want to be invisible. I liked myself much more before I got famous. I was much friendlier and had more energy.
I have two different categories of favorite films. One is the emotional favorites, which means these are generally films that I saw when I was a kid; anything you see in your formative years is more powerful, because it really stays with you forever. The second category is films that I saw while I was learning the craft of motion pictures.
I feel I have a political duty to reach out to the general public. I want to make films that the people want to see. So if the people want to see Johnny Depp or Tom Cruise, then it is really my job to incorporate them into my films.
I must be honest and say that I was under the fascination of films. I was fascinated by all films, even the words of them. If I was to do a more-precise analysis of the situation, I have to admit that I was more entertained by the bad films than the good ones. Because when something is beautiful, it is there; it is finished; it is done. It doesn't have to be touched or be worked upon.
I think movies in general should have more respect for the audience than they do. Too many films are afraid to confuse people, so all the information is given to them right away, and there's nothing left for the film to do. It ruins many stories, because everything becomes obvious and predictable. I want my films to engage people more and make them more actively involved in the story.
I like independent films... European films. I do go and see popular films as well because my kids force me.
When I was in my 20s and 30s, there was such a variety and diversity of types of films that you could see. So many of them were really more about the human condition and about relationships between people, and they were smaller films that had a much greater impact on me as a human being.
I have so much joy in my life. I love my husband and kids so much. So much love. I'm also more focused now on spending more time at home and in town instead of going on tour. Because of that nesting, I find that I'm even more into writing and creating.
There have been a few little films I'd done like that that the studio just decided not to do much with, films like Anywhere but Here [1999] or Jeff, Who Lives at Home [2012]. Thank God people find them later and love them. I'm always really drawn to people who have seen these strange little films.
If I was to see any of my films now I would feel, oh god you know it's awful I could do that so much better now. Look at all the terrible things I did and all the mistakes and all the compromises and all the blunders I made, and it would be such a terrible experience for me to see them. So it's better that I put it out and move on to the next thing and make it history as quickly as possible.
I don't find anything interesting about the choices a character faces in major films or theater projects. The characters are just cut-out dolls with the American flag sewn on them.
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