A Quote by Brad Stevens
There's an old adage of, 'This is what I do, it's not who I am.' There is a line that gets blurry at times because you sometimes become your work, or you sometimes put so much into your work that you can't separate from it. It swallows you up. It really happens during the season and it's a difficult line to manage.
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People sometimes say hoaxes are about the blurry line between nonfiction and fiction. I just don't think it's a blurry line at all.
Sometimes, when I have to learn the lines in German and French, it's that much more difficult because it doesn't just sink in automatically, organically. I have to memorize it. It's a tricky thing, as well, as when you improvise, sometimes you want to say something but you don't know how to put it. It's more difficult than in your mother tongue. It's a challenge but, at the age of fifteen, I put myself up for it and I was aware that it would be an obstacle and many times.
Most women who work and have a career and a family sympathise with one another because they know just how difficult it is to try and manage it all and sometimes if the pressure's too great and you can't manage something has to give and it's either your career or your family.
I think what gets a poem going is an initiating line. Sometimes a first line will occur, and it goes nowhere; but other times - and this, I think, is a sense you develop - I can tell that the line wants to continue.
Sometimes you do films that work really well and sometimes you do a film and you fall flat on your face. Sometimes things work, sometimes things don't work, you never know. I don't think there is any explanation to something like that.
I'm a difficult person, sometimes, to work with because I'm so intense about this stuff sometimes, and I get focused in ways that I think can be overwhelming for me and also the people I work with, where I'll get so about every little bug in the thing, every little line.
I am able to carry storylines. When you're good at what you do, you're going to work. That's a good thing. But from the standpoint of being an attraction, sometimes too much isn't good. So it's a difficult fine line.
I'd love to work on something that gets some type of critical respect. This business is sometimes so brutal - you work on something for months and really feel like the project is good and you're doing the best work you can, and then it just gets hammered by critics. It's such a bummer sometimes, because everything seems to build up to the release and a couple of bad reviews can make it seem like it was all a waste, which you know it wasn't.
Hazel had read enough books to know that a line like this one is the line down which your life breaks in two. And you have to think very carefully about whether you want to cross it, because once you do it’s very hard to get back to the world you left behind. And sometimes you break a barrier that no one knew existed, and then everything you knew before crossing the line is gone. But sometimes you have a friend to rescue. And so you take a deep breath and then step over the line and into the darkness ahead.
If you've been willing to put your life on the line to do something important for your country or your state, putting your job on the line is really not a very big deal.
I think what gets a poem going is an initiating line. Sometimes a first line will occur, and it goes nowhere; but other times - and this, I think, is a sense you develop - I can tell that the line wants to continue. If it does, I can feel a sense of momentum - the poem finds a reason for continuing.
There can be a blurry line between laughing at the expense of a character and laughing at the recognition of something painful and true. But blurry as it may be, it is nevertheless unmistakable, and sometimes the laughter I hear makes me wince.
The truth is, the personal ends up becoming part of your professional. As an actor, much of your work happens at home as you try things out on your family. Sometimes you stay in character unbeknownst to you and keep practicing.
I mean, sometimes... a comedian becomes an actor, and they just don't deliver, because the bottom line of comedy is to be funny, and the bottom line of acting is to be truthful, and they get that mixed up sometimes, or don't even notice that that's the thing.
I am always producing work, but there is always a sort of deadline where you have to finish work. I don't do it for a show. In other words, I am not like a fashion designer where I have a, you know - I have to put out the full line or I have to put out the summer line like that.
Manage the top line: your strategy, your people, and your products, and the bottom line will follow.
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